Lifelong Learning and the Gaited Horse

versatility of the gaited horse

Does learning how to ride and train a naturally gaited horse feel like an endless pursuit or an adventurous journey of lifelong learning?

Here’s my story…

Lifelong Learning and the Gaited Horse

By Jennifer Klitzke

I was born with the passion for horses. The passion certainly wasn’t inherited by my parents! It wasn’t until I was out on my own, completed my education and entered my profession that I began saving for the dream of owning my first horse.

My first horse an OTTB
My first horse, an off-the-track-thoroughbred mare named Seasons.

When I bought an off-the-track thoroughbred mare in 1988, learning resources were limited. One-on-one instruction and book learning were my options with an occasional video rental at the local tack store. Today the digital age avails endless learning opportunities and riding genres to draw from. We can google a question and receive instant answers in a variety of formats from dozens of thought leaders.

Critical Thinking Beyond the Classroom

My education taught me critical thinking. As a college student, not all of my classes related with my major, and those that did were taught by (not one) but a variety of instructors who prepared me for my career.

In and out of the classroom, I take critical thinking with me―even into my horse riding and training. Whenever I come across a new idea, I listen, discuss, ask questions, think through, and make decisions alongside what I know and have experienced. Then I consider whether to embrace and study this new idea to accompany my riding and training program or even discard an old practice.

I am grateful for the dozen years of one-on-one German dressage lessons with one instructor. I learned how to ride with feel: to know when it felt in or out of balanced, connected or discombobulated, crooked or straight, too sluggish or too hurried. My instructor taught me how to restore the feeling of right when we lost it. This took years and lots of practice to develop, especially when riding a variety of horses, since each one felt different. My dressage instructor taught me a solid foundation to contrast and compare other ideas from. Without this foundation, I would have floundered.

Since then, I have been on an endless journey of discovering how to ride and train horses―predominantly in dressage. Within my dressage study, there have been many shifts as there are differences in application between masters, schools, instructors, and paradigms. Not all dressage has the same focus or produces the same result.

Sometimes I’m happily surprised with new ideas. Like when I became acquainted with different styles of dressage: realizing the language of dressage breaks the bounds of an arena into any activity we do; contrasting and comparing dressage as art versus sport; and the epiphany that dressage is more than trot. Dressage offers profound benefits for smooth gaited horses!

featured showing dressage with the gaited horse
Showing Dressage with a Gaited Horse

If I had stopped learning, I would have missed out on all this…

Dressage for the Gaited Horse

After 20 years riding non-gaited horses, I acquired my first naturally gaited Tennessee Walking Horse. Riding with feel took on a whole new level with a smooth gaited, head nodding horse! I needed to learn how to ride a horse that doesn’t trot, so I set out to find a gaited dressage coach help me develop a new set of feel.

2014 Jennie Jackson clinic
Taking lessons from Jennie Jackson really helped improve the quality of our smooth gaits using dressage.

After purchasing a DVD training set from Jennie Jackson, I began learning dressage for the gaited horse from a true gaited dressage champion. Jennie performed with her famous Tennessee Walking Horse stallion, Champagne Watchout to the highest levels of dressage in his natural smooth gaits.

Lessons with Jennie taught me how to help my Tennessee Walking Horse get started in flat walk and running walk with connection and balance.

flat walk with contact
My naturally gaited Tennessee Walking Horse at flat walk.

Sound and Barefoot

When my farrier retired in 2010, I began studying natural barefoot trimming. I learned that performance horses can compete sound without shoes. This blew my mind! For decades I believed competition horses required year-round shoes for their soundness.

After studying a variety of barefoot trimming methods, I came across Linda Harris’s The Happy Hoof Channel and her method: The Anatomically Correct Trim (TACT). I have learned so much in the last 15 years about trimming my horses’s hooves.

Dressage beyond Showing

Jennifer and her 6-year-old naturally gaited Tennessee Walking Horse at a clinic with Larry Whitesell teaching us lateral exercises.
My naturally gaited Tennessee Walking Horse at a clinic with Larry Whitesell teaching us the feel of shoulder-in.

At Larry Whitesell clinics, I learned how to become a trusted leader with my gaited horses and lead them into relaxation and balance.

Larry’s method challenged my dressage training pyramid paradigm; he helped me understand that dressage is more than showing at Intro and moving up the next level as my scores improved. My dressage paradigm now included how to become a trusted leader and meet my horse’s needs for safety, relaxation, and balance.

Dressage as a Language

Beyond the art and sport of dressage, I learned that dressage is a language. Dressage is more than a form of riding or place to ride. Dressage is a way to communicate with the horse in and out of the arena: over a course of fences, through wooded trails, around a set of obstacles, sorting cows, and any other activity we do together.

gaited horse sorting cows
Cow sorting with a gaited horse.

Dressage Riding Position

Jennifer Klitzke riding at a Mary Wanless Clinic
Riding my Spanish Mustang at a Mary Wanless rider’s biomechanics clinic.

Over the years I have been acquainted with a variety of ways to ride a horse. After studying Ride with Your Mind books and videos, I audited and rode at Mary Wanless rider’s biomechanics clinics. I learned ways to reposition my body, ride with my core, and be lighter and more balanced over my horse’s back. This position helps my horse carry me with greater ease.

I began applying these methods of riding with my naturally gaited horses and notice when I correct my riding position first, there are less adjustments to make to my horse.

More than one Dressage

I had my first taste of French dressage in 1994 when I rode at a few Dominique Barbier clinics held in my area with my late Trakehner/Thoroughbred gelding. I loved the joy, harmony and lightness he taught with dressage.

Years later, a French dressage clinician, Susan Norman, traveled to my area. Her Riding with Lightness clinics introduced me to the work of her mentors, French dressage masters Philippe Karl and the late Jean Claude Racinet.

why have contact

French dressage has challenged my German dressage paradigm more than any other. There have been many instances where French methods have replaced my former German roots of riding and training. Among the biggest changes have been “Hands without legs and legs without hands.” (separating the stop and go aids for clarity to the horse instead of combining my driving aids into my hand). The other is learning the importance of a relaxed mouth, lower jaw, and poll and its effect on relaxation and movement.

I have found relaxation of the mouth and jaw are paramount for training smooth gaits. This means no more low fixed hands that lead to bracing and pacing. No more driving my horse forward with my leg and seat into closed hands that leads to driving my horse onto the forehand and into tension and bit avoidance. No riding with gadgets like snug fitting nosebands, side reins, tie downs, draw reins, and more. No riding with harsh bits. The French method meant learning how to communicate with the horse’s mouth to teach bit acceptance and relaxation gently with my hands and fingers and immediately quiet communication as soon as the horse responds.

In 2014, I learned Philippe Karl had launched École de Légèreté (School of Lightness) instructor certification clinics in the United States. Eager to locate instructors who taught this classical dressage method, I traveled to take one-on-one instruction from an instructor in training. Learning from books and DVDs offer a great general concept, but nothing beats real-time coaching. The fabulous feedback I received from Nichole Walters in Seattle, WA further inspired my desire to continue French dressage for the gaited horse.

Travere or Haunches In
Linda coaches me and my naturally gaited Tennessee Walking Horse through organizing my aids in lateral exercises on a circle.

Then in 2018, Légèreté instructor, Linda Kaye Hollingsworth Jones traveled to my region for two clinics and coached me and my naturally gaited Tennessee Walking Horse, Makana.

Since then, I have been taking a deep dive into studying books about classical dressage masters Francios Baucher and his second manner, Francois Robichon de la Gueriniere, as well as the late modern dressage master Nuno Oliveria.

Scientific Research Spotlights Balance and Collection

Facebook led me to the life-long research of Dr. Hilary Clayton which proves the importance of developing the chest muscles for balance and collection. Dr. Clayton is also a credentialed dressage rider to the highest levels. Her research further inspired me to pursue French dressage application for the gaited horse, particularly relaxation and balance.

Clayton’s research has challenged me develop the whole horse instead of fixating on hind leg length of stride so prized with Tennessee Walking Horses. I began to value slow walking shorter steps of lateral exercises, rein back, jambette and Spanish walk that build strength, balance, flexibility, lightness, and relaxation. Then transition to the big striding gaits of free walk, flat walk and running walk.

Grade School and Horse Speak

I have gained wonderful friends through this Naturally Gaited blog over the last 15 years. One friend has been a student of Michael Gascon, a fifth-generation Paso Fino trainer and international colt starter of more than 5,000 horses. My friend invited me to participate in his FREE 30-Day Horse Help Challenge.

Cowboy colt starting collided with my dainty dressage paradigm. Initially I thought, “Why on earth would I apply this training with a horse I have been riding the last four seasons?!” Yet I was open minded to learn something new with my friend and was intrigued with his Paso Fino smooth gaiting expertise. So, I enrolled Marvel, my seven-year-old Tennessee Walking Horse / Spotted Saddle Horse, in the virtual challenge. It didn’t take long to realize there were areas in our training dressage hadn’t addressed.

Michael explained teaching a horse dressage without attending grade school is like jumping straight to college. I didn’t understand what he meant until completing his Pre-K through Grade 12 colt starting program.

Michael’s program is based upon growing up at a barn and studying how horses behave and communicate with each other. Over the years, he has developed a step-by-step process in how to speak “horse” from the ground to the saddle. This helps set boundaries, establish respect, and clarify directions to the horse. Ultimately, this step-by-step process creates a safer horse―no matter what’s going on around.

Grade School Gallery

Now my go-go-go gaited horse waits for my cues after saddling up. He is less distracted, keeps more attention on me, responds to my seat and body position, and is less fidgety with the bit. Plus, I don’t have to wait for perfectly calm conditions to ride! It wasn’t until I gave Michael’s 30-day Horse Help Challenge a try that I realized the freedom I had been missing in my riding program.

Now I can say we have graduated grade school!

Gaited Horse Retreat

After the 30-Day Challenge I met my friend and many wonderful Gascon students from around North America for a five-day gaited horse retreat at Horse Haven Ranch with Michael Gascon―a truly extraordinary learning and paradigm stretching experience! Most of those in our group had been to over a dozen retreats, and I can understand why after experiencing it!

I watched Michael transform dozens of challenging horses within minutes to be relaxed, sensible and ridable. While training, he explained his step-by-step process with a keen sense of humor and storytelling! Michael has wisdom and experience far beyond his age. Now I understand why my friend has been a longtime student of Michael’s.

In addition to watching Michael work with retreat horses, we had so much fun having horseback sword fights with pool noodles, working through trail obstacles, playing horse soccer, sorting cows, and learning ways to refine smooth gait with balance and collection.

My horses and I still speak French, but now I have become bilingual learning how to speak “horse.” Michael’s step-by-step training process is a great accompaniment with our dressage study. Plus, it is so FUN and is such a confidence booster for both the horse and rider! Now I don’t have to wait for ideal riding conditions. We are learning to face our fears from the ground to the saddle with fun activities! This has increased the relaxation, balance, symmetry, and collection I seek with my naturally gaited horses in the versatility training we pursue.

Our MG soccer ball has just arrived. Just as I expected, Makana has taken to it as she has the cows!

The more I learn inspires more I have yet to learn―even into my grandma years!

What are your thoughts? Please reach out and send me a message or stay connected by subscribing to the Naturally Gaited youtube channel and “like” us on facebook.com/naturallygaited.

Neck Extension vs Long & Low for the Naturally Gaited Horse

neck extension vs long and low for the naturally gaited horse

What is the difference between long and low and a neck extension? How do each impact a gaited horse’s quality of movement?

Here’s my story…

Long and Low vs Neck Extension for the Naturally Gaited Horse

By Jennifer Klitzke

Many of us with naturally smooth gaited horses are familiar with the term long and low. For me, long and low was taught to help the naturally gaited horse relax and to break up pace into a smooth gait. A few years ago, I learned about the neck extension from Ecole de Légèreté (School of Lightness) teachers.

Before I purchased my first naturally gaited horse in 2007, I had been a dedicated student of dressage since 1988. I learned the benefits of stretching and developing the top line muscles of my trotting horses. We rode forward in a long and low position on a 20-meter circle and encouraged our horses to step under the rider’s body mass with the inside hind leg toward the outside rein. Then we changed directions and repeated the exercise. Long and low on a 20-meter circle was taught as a way to warm up, relax, stretch, and cool down our horses.

However, as my late father would say, “Too much of anything isn’t good.” Too much of a long and low position conditions the horse to slouch on the forehand. The chest muscles collapse instead of lift and the horse gets heavier on the bridle.

As an amateur, it took a few years for me and my Trakehner/ Thoroughbred gelding to prove ourselves at Training and First levels and begin Second level dressage. That’s when long and low habits met a rude awakening. Since I had conditioned my horse slouch on the forehand, Second level exercises like shoulder-in and haunches-in introduced us to a posture shift of balance and engaging the chest muscles.

Three reasons why long and low puts the horse on the forehand:

  1. The head and neck of the horse weigh as much as 1/9th of its total body weight. When the head and neck are propelled ahead of the horse, it places the horse on the forehand by nature. The lower the head and neck get, the heavier the weight, especially in a nodding motion at a walk, flat walk, fox trot, or running walk.
  2. In this long and low position, the horse’s chest muscles (pectoral and shoulder muscles) are collapsed and not lifting the horse’s head and neck upward in balance
  3. In a long and low position, the horse’s hind legs push and disengage. While the lowered head and neck position can help the horse relax and stretch through the back, the disengaged hind quarters push the horse onto the forehand. This doesn’t lift a hollow back to a neutral position for a quality smooth gait.
Long and low on the forehand
Here is my naturally gaited fox-trotting horse Lady in a long and low position. Notice that she is disengaged from behind (not stepping under the rider’s position with her hind leg). Notice that her chest muscles are collapsed, and her abdominal muscles are not lifting her back to a neutral position. She may be relaxed but is not effectively developing the top line muscles in this position. She is traveling on the forehand and behind the bit.

A better way: moments (not miles) of neck extension AFTER balanced work

Instead of long and low, I learned the neck extension from Ecole de Légèreté (School of Lightness) teachers. Classical French dressage master Philippe Karl’s DVDs and books also illustrate the neck extension. Karl, the originator of Ecole de Légèreté (School of Lightness) is not a trainer of naturally gaited horses that perform the flat walk, fox trot, tolt, and running walk, but his teachings have so much positive application for the naturally gaited horse—especially the neck extension.

Philippe-Karl-Legerete-DVDs-video-camera
My DVD library includes terrific education through Philippe Karl Classical Dressage volumes 1-4, The School of Légèreté volume 1, and Classical versus Classique.

For me, learning the difference between the neck extension and long and low has been an eye opener. Why? Because I didn’t have the riding awareness of how long and low had been training my horses on the forehand. The neck extension has brought all the benefits I had been seeking in long and low without collapsing the chest and shoulders.

flat walk neck extension
Flat walk in a neutral neck extension stretches the top line muscles and spine while maintaining a lifted chest.

What is the neck extension

After moments of balanced work, the neck extension trains my naturally gaited horse to stretch her head and neck forward and out to lengthen her spine, stretch her top line muscles from a balanced frame, encourage her to step deep under her body with her hind leg steps in a regular relaxed and forward rhythm without rushing, and engage her abdominal muscles to lift her back to a neutral position.

Watch: Action-Reaction to Neck Extension

Action-Reaction to Neck Extension

Differences between the neck extension and long and low

Big differences between a neck extension and long and low position are the horse is released to neck extension only after a state of balance and relaxation have been reached to maintain; the horse’s head and neck are positioned no lower than poll at wither level in a neck extension; and the neck extension is performed for a few minutes at a time instead of miles at a time.

It is also important to keep the horse’s nose ahead of the vertical with an open throat latch. This position helps minimize weight loading the forehand.

How to apply the neck extension

  • First, I help my horse find balance and relaxation first through in-hand exercises that help her accept an even snaffle bit contact. These exercises help my horse unlock tension in her jaw as she tastes the bit. These in-hand exercises are then applied in the saddle before I ride.
  • While riding I will follow the natural head and neck motion of my gaited horse to maintain an even snaffle bit contact to maintain relaxation of the jaw. Beginning lessons in Legerete: Following Hands»
  • Instead of beginning my ride with long and low, I encourage my horse to walk in a slow, relaxed and balanced position while still tasting the bit, either in a shoulder-in or a small circle.
  • After I achieve relaxation and balance, I release my horse into moments of the relaxed and balanced neck extension. Then throughout our ride, I will ask for neck extension at the walk, flat walk, running walk, foxtrot, trot (on cue) or halt.

Comparisons of long and low and neck extension

This is a great example of an ineffective long and low. There are some things going well here like my naturally gaited Tennessee walking horse is relaxed and showing a decent length of stride in rhythm, and her withers are higher than her croup. However, she is behind the bit without an even snaffle bit contact and is not lengthening her spine.
Neck extension at a flat walk
This is a great example of a neck extension at a flat walk. My naturally gaited Tennessee walking horse is engaged from behind, lifting her back, stretching, forward, out and down at chest level with an even snaffle bit contact. The dressage fundamentals of rhythm, relaxation, connection and engagement are shown here. Also notice that the withers are higher than the croup instead of the croup being higher than the withers.
Long and low on the forehand
Here is my naturally gaited fox-trotting horse Lady in a long and low position. Notice that she is disengaged from behind (not stepping under the rider’s position with her hind leg). Notice that her chest muscles are collapsed, and her abdominal muscles are not lifting her back to a neutral position. She may be relaxed but is not effectively developing the top line muscles in this position. She is traveling on the forehand and behind the bit.
Lady neck extension in smooth gait with western saddle
Here’s a good neck extension position of my naturally gaited fox trotting mare, Lady to develop her top line muscles. She is stepping more under her body mass with her hind leg, less hollow, lifting her pectoral muscles while extending her head and neck out with an open throat latch and without getting too low.
My naturally gaited fox trotting horse Lady showing a neck extension
Here’s my naturally gaited fox trotting horse Lady showing a neck extension while performing trot (on cue). Her back is in a neutral position. She is in balance and seeking contact with the bit while stretching her head and neck forward, out and down at chest level which allows her to lengthen her spine. Notice that the withers are higher than the croup vs the croup being higher than the withers.

Neck extension to improve quality smooth gait

Instead, try the neck extension to improve the quality of natural smooth gait where the horse reaches under its body with its hind leg steps, engages its abdominal muscles to lift its back to a neutral position, and stretches forward, down and out with the head and neck to lengthen the spine. All of these qualities can help build the top line muscles and break up pace!

So, whether you’re training your naturally gaited horse to show gaited dressage or western gaited dressage or are looking to break up pace for a natural smooth gait, I hope learning the difference between long and low and neck extension will help bring awareness to your riding. Long and low stretching is great as long as the horse isn’t collapsing the chest, out of balance on the forehand, hollow, behind the bit, or disengaged (trailing its hind legs) instead of stepping under the rider.


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Bit Acceptance vs Bit Avoidance for the Naturally Gaited Horse

Bit Acceptance vs Bit Avoidance

Does your gaited horse resist contact with the bit, rush off into a pace or hard trot or curl up behind the bit to avoid contact? Teach your horse bit acceptance and discover relaxation and smoother gaits.

Here’s my story.

Bit Acceptance vs Bit Avoidance for the Naturally Gaited Horse

By Jennifer Klitzke

There are many ways to ride a naturally gaited horse. Some ride with contact or on a loose rein. Others ride in a curb or snaffle bit two-handed with contact. Some ride with low, fixed hands and others follow the natural head and neck motion of the horse with elastic fingers and relaxed arms.

I have tried all of these methods with my naturally gaited horses in my pursuit to develop smooth gaits like flat walk, running walk, fox trot and saddle rack. Not all of these methods produced the same results.

Lady fox trot
My naturally gaited fox trotting mare, Lady, in a quality, balanced fox trot with contact.

Granted, there is more to riding a gaited horse to smooth gaits than just the choice of bit how to use the hands. However, this post touches on the concept of bit acceptance versus bit avoidance. For me this meant increasing my riding awareness and noticing how my actions affect my horse. When a method led to the dreaded pace or hard trot, I changed my method until smooth gaits and a happier horse appeared.

balanced flat walk with contact
My naturally gaited Tennessee Walking Horse, Makana, at a flat walk.

What is the difference between bit acceptance and bit avoidance?

I’ve noticed when my naturally gaited horses are mentally and physically relaxed they offer smoother gaits. A comfortable mouth plays a big part in this relaxation.

Bit acceptance for naturally gaited horses leads to relaxation not just in the mouth. When the mouth (lower jaw, tongue, and poll) is relaxed and pain free, the body relaxes leading to smoother gaits.

Naturally Gaited Tennessee Walking Horse Flat Walk

A naturally gaited Tennessee Walking Horse ridden in a mild snaffle bit. The horse is accepting and following a light contact and I am following her natural head and neck motion. The horse is relaxed and offering an evenly timed, four beat smooth flat walk with a head nod.

What are signs of bit acceptance in the naturally gaited horse?

  • Horse is easy to bridle
  • Horse accepts and follows a light contact with a snaffle bit
  • Horse reaches and follows the bit when the rider offers longer reins
  • Horse easily repositions its head and neck when the rider regathers the reins
  • Horse is relaxed in the mouth and lower jaw, tastes the bit and swallows
  • Horse is flexible side to side and can be ridden on the bit without getting behind the vertical
  • Horse is relaxed and offers smoother gaits
Naturally gaited Tennessee walking horse balanced and relaxed flat walk with good rhythm and tempo
My naturally gaited Tennessee Walking Horse , Marvel, showing a balanced and relaxed flat walk with good rhythm and tempo.

If the horse has a painful experience by the rider’s hands or with a harsh or ill-fitting bit, the horse becomes defensive to protect itself. Resistance sets in.

What are signs of bit avoidance?

  • Horse throws its head upward or side to side to escape the bit contact
  • Horse draws its head behind the bit to escape the bit contact
  • Horse gaps its mouth to escape the bit contact
  • Horse roots and snaps the reins out of the rider’s hands
  • Horse lifts its tongue over the bit to escape pain
  • Horse is tense in the jaw
  • Horse grinds its teeth
  • Horse gets tense and quick when contact is made with the bit
  • Horse is tense and rushes into pace or hard trot
  • Horse is difficult to bridle

Bit avoidance creates tension and resistance―the absence of relaxation. Bit resistance effects the quality of movement. The horse becomes braced in its mind and body―especially its back. For the naturally gaited horse, a tense back leads to pace, hard trot, a horse that can run away and avoid contact with the bit. 

What can cause bit avoidance?

  • Tight nose bands
  • Harsh bits
  • Ill-fitting bits
  • Abrupt rein movements of the rider’s hands
  • Driving the horse forward into closed hands
  • Riding with low fixed hands
  • Pulling back on the reins
  • Sharp teeth that need to be floated
  • Riding with head setting and head restraining devices

Following the natural head and neck motion

In 1988, I was drawn to the horse-rider connection through dressage and began taking lessons with my non-gaited horse. My instructor helped me select a mild snaffle bit and fit the width and contours of my horse’s mouth. She taught me to follow my horse’s natural head and neck motion at a walk and canter.

At a trot, the horse’s head and neck remained stationary. However, I had to learn how to post (rise and be seated with my body) at each step of the trot while keeping my hands in one place. This wasn’t easy. If my hands moved with the motion of my body, it would bump my horse in the mouth with each rise and fall of the post. This would have led to bit avoidance.

To help me gain awareness of my hands and to protect my horse’s mouth as I learned how to post, my ingenious instructor added twine to the pommel rings of my saddle. I placed my pinky fingers in the twine which notified me each time my hands moved with each rise of the post. Each time my pinky fingers were pulled by the twine it reminded me to relax my arms down with each post. I was surprised how often my pinky fingers were pulled!

Many school horses develop bit avoidance since they introduce beginner riders who haven’t learned how to keep their hands quiet. These school horses become hard mouthed and bit resistant as a result. Hard-mouthed horses become this way as a means of self-preservation.

In 2007, I became a rider of naturally gaited horses. I am blessed with a smooth ride and no need to post. However, naturally gaited horse breeds, such as Tennessee Walking Horses, Spotted Saddle Horses, and Missouri Fox Trotters have a natural head and neck motion at a walk, canter, flat walk, running walk, and fox trot. Just how does a dressage rider accommodate the natural head nod at a flat walk, running walk, and fox trot?

Dressage taught me to follow the natural head and neck motion of the horse and dressage teaches bit acceptance. For me, following the natural head and neck motion of flat walk, running walk, and fox trot has been the hardest part in training naturally gaited horses using dressage. I had to become aware of the cause and effect I had on my horse and make adjustments to develop the smooth gaits I desired.

Hand position and its effect on the naturally gaited horse

Low fixed hands

Did you know the position of your hands make a difference in how a bit acts in the horse’s mouth? I had no idea. Years of German dressage lessons taught me to keep my hands low and follow the natural head and neck motion of the walk and the canter. A high hand position was frowned upon.

Then I acquired my first naturally gaited horse as a three-year-old. There wasn’t anyone near me who taught dressage for the naturally gaited horse, so I began to take lessons from a TWH rail class instructor. I was taught to hold my hands low and still at my sides as my horse’s head nodded up and down. Adding to the low fixed hand position are the bits used. Most use curb bits and ride with low fixed hands. I gave this a try hoping it would bring us to smooth gaits.

The low fixed hands with a snaffle or a curb bit didn’t help us achieve smooth gaits, so I gave up on that approach and began to ride on a long floppy rein.

Riding without contact

In some ways it was easier to ride a naturally gaited horse on a long floppy rein than it is to ride with contact and follow the natural head and neck motion. Riding without contact seemed to avoid many of the bit avoidance issues. However, to ride exclusively on a long floppy rein, I struggled with communication and balance without contact, so I returned to the dressage I knew.

Dressage teaches the horse how to stretch into a long rein and be released onto a loose rein in self-carriage, yet it begins from contact and bit acceptance. Then the horse is released to moments of a long rein stretch.

Featured Makana flat walk loose rein
My naturally gaited Tennessee walking horse and I enjoying a moment of flat walk in self-carriage on a long floppy rein as long as she remains relaxed and with the same rhythm, forward motion without rushing, and balance.

When my horse has developed bit acceptance and self-carriage, I release the reins as long as my horse maintains the same relaxation, rhythm, and tempo as we had with contact. If my horse begins to rush off, I gather the reins and help my horse find relaxation, balance, forwardness without rushing, and rhythm.

Another kind of dressage

As a German dressage rider, I had thought all dressage was the same until I watched a DVD called Classical versus Classique. In this DVD, French dressage and German dressage theologies are contrasted and demonstrated. Impressed with the results, I became an avid DVD, book and cyber student of French dressage masters and applying what I learned with my naturally gaited horses.

This study has helped me become aware of the cause and effect my hands have had with my horses. Instead of seeing bit resistance as my horse’s problem, I began to notice what I was doing that lead up to resistance. I began to listen to what my horse was saying through their response. Then I offer ways to bring my horse back to relaxation and balance.

Applying French dressage with my naturally gaited horse opened my eyes and awareness to how my hands directly affect my horse’s comfort and relaxation leading to smooth gaits and why the low fixed hand position seemed to lead us to tension, bracing, anxiety, pacing, step pacing, pace canter, and runaway hard trot.

2021 naturally gaited Tennessee walking horse flat walk bareback with contact
A naturally gaited Tennessee Walking Horse ridden in a mild snaffle bit. Higher following hands make contact with the less sensitive corners of the horse’s lips instead of pressing into the sensitive tongue and bars.

Dressage became a partnership with my horse and a two-way communication. I asked with my aids and listened to my horse’s response. Soon we were reaching relaxation and balance leading us to smoother gaits.

The hand has many parts to communication

Years of riding German dressage had taught me a gentle use of my hands. Yet French dressage has taught me the hand has many parts and uses for communication I had never known.

French dressage taught me a different way to hold the reins and use my fingers, wrists and elbows. Each rein is held by the thumb and index finger to prevent the reins from slipping longer. Together the thumbs and index fingers provide a light, even contact with a snaffle bit. The middle, ring and pink fingers can vibrate on a rein to soften the jaw. The turning of the wrists upward with a bending of the elbows are also used in communication to ask the horse to rebalance.

The middle, ring and pink fingers are like gentle springs that follow the natural head and neck motion of the horse along with relaxed wrists and elbows. This is particularly important to encourage smooth gaits like the flat walk, running walk and fox trot.

The many parts of the hand are important elements of communication with the horse’s sensitive mouth, and great care is needed to build trust. When cueing, the elbows bend upward to raise the hand positioned higher. This makes contact with the less sensitive corners of the horse’s lips instead of pressing the bit into the tongue and bars which cause pain.

Work in hand
Working in hand with my naturally gaited Tennessee walking horse, Makana. This photo shows flexion to the side which stretches the outside neck muscles while the horse is in balance over all four legs.

Instead of correcting the bit avoidance, I began teaching bit acceptance, beginning with working in hand.

What working in hand teaches

  • The rider learns how to communicate with the horse’s mouth
  • The horse learns to accept a light contact with a snaffle bit
  • The horse learns to follow the bit
  • The horse learns balance, how to carry its own head and neck and not lean on the bit
  • The horse learns to relax the mouth and lower jaw, and flex to each side by stretching the neck muscles
  • The rider can see the response and effect these exercises have on the horse

These in hand exercises have been teaching me and my horse a a two-way communication with each other. I learn how to communicate with my horse just as my horse seeks to understand it. As I become clearer and more consistent with my hands, it clarifies communication to my horse and builds a better partnership.

Taking it to the saddle

Everything I have been applying in hand translates directly to the saddle. While in the saddle I begin at a halt, then a slow walk, then I increase the tempo only as long as relaxation is maintained.

The horse learns to follow the snaffle and the rider learns to follow the horse’s natural head and neck motion with elastic fingers and relaxed wrists and elbows. This helps the horse remain comfortable.

Following the natural head and neck motion helps the horse trust the rider’s light contact and accept gentle contact with the bit. If the horse begins to feel tension or pain, then the horse develops self-protection, resistance, and bit avoidance.

Is it easy to learn all this? No. Is it worth it? Yes! My horses are happier. They enjoy our time together. And best of all their gaits are smooth! No more pace and hard trot!

shoulder in
Shoulder in on a circle with a 21-year-old naturally gaited Tennessee walking horse working the shoulder in and haunches in at a slow balanced, collected walk.

Through a progression of working on the ground with my horse in hand to in the saddle at a halt to a slow walk, my horse learns to trust my hands and I learn to communicate with my horse more effectively through the reins. The goal is bit acceptance.

When I increase my naturally gaited horse’s tempo to the smooth gait, I began to learn how to gently follow the head nod with elastic fingers, relaxed wrists, and elbows.

Bit acceptance and a light contact lead to a two-way dialogue between me and my horse. I choose a gait, movement, frame, and tempo that my horse is capable of performing, and then my horse follows that choice. Then I follow my horse’s natural head and neck motion within that choice. This is not easy. Yet it has been worth it for me and my naturally gaited horses to maintain relaxation in the mouth and jaw which leads to smoother gaits.

Bit acceptance takes time. Riding with awareness takes time. Learning new ways to ride that benefit the horse takes time. Yet learning bit acceptance pays dividends versus unlearning bit avoidance down the road which takes even more time.

flat walk
Riding my naturally gaited Tennessee walking horse at a flat walk.

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Merry Christmas

Merry Christmas
Lady (naturally grade gaited horse) shown at a fox trot, Makana (naturally gaited Tennessee Walking Horse) shown at a flat walk and Marvel (naturally gaited Tennessee Walking Horse / Spotted Saddle Horse) shown at a Spanish walk.

From me and my furry friends to you and yours, have a Merry Christmas, a happy new year, and peace on earth!

—Jennifer Klitkze

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Does Rhythm Produce Relaxation

Produce relaxation for smooth gaits

Relaxation is key in developing smooth gaits for the Tennessee Walking Horse and other naturally gaited horse breeds. So, how do you teach a horse relaxation? Is rhythm the best way to produce it?

Here’s my story.

How I learned rhythm: The Pyramid of Training

I began a journey into competitive dressage with non-gaited horses in 1988. Back then we didn’t have the plethora of resources we have today. The internet was a dark distant dream, and resources like social media, blogs, and video channels were nonexistent. We were fortunate to have a traveling dressage instructor teach us the Pyramid of Training.

Back in 1988, the Pyramid of Training began with a foundation of rhythm (with energy and tempo) followed by relaxation (with elasticity and suppleness). Then connection (acceptance of the bit through acceptance of the aids), impulsion (increased energy and thrust), straightness (improved alignment and balance), and collection (increased engagement, lightness of the forehand, self carriage).

Dressage training pyramid

We showed our horses by riding dressage tests at the level of our training, beginning with Training level, followed by First, Second, Third, Fourth, Prix St. Georges, Intermediate, and Grand Prix. The latter showed the horse attaining the top of the Pyramid of Training. We moved up to the next level after achieving a few scores in the 60s or above. Most riders and horses never reached beyond Second level. The Pyramid of Training is a challenging, time consuming, and costly way to progress in dressage.

We believed rhythm produced relaxation. So, for my first 20 years of dressage riding with non-gaited horses, I lunged my horse and then rode him on a 20-meter circle in a long and low position to develop rhythm until he was relaxed. This was my process to achieve relaxation.

The Pyramid of Training with a Tennessee Walking Horse

In 2007, I acquired my first naturally gaited Tennessee Walking Horse, Makana. I applied the dressage Pyramid of Training I learned with non-gaited horses. Makana often worried about her surroundings and tensed her body. Worry quickened and shortened her steps. Was it smooth? Yes, but not the long striding flat walk she was capable of. Tension also affected her gait. When she tensed her body, it produced a step pace and a pace canter―definitely not smooth.

Makana often spooked when tense. This certainly didn’t create relaxation in me. My tense reaction only reinforced her spooking and perpetuated her worry. If I continued to ride her in this state, it was like trying to control a stiff plank caught in a gusty wind. Each spook made it harder to establish rhythm. We definitely had energy and tempo! I hoped to stay on long enough until she found rhythm and eventually reach relaxation.

I wondered, “How long does a nervous rider persevere on an anxious horse through spooks and tension before rhythm is established and relaxation sets in to develop smooth gaits?”

If I could sweat it out, riding a tense horse in a jarring gait for an hour, was this really the best approach? What was my horse learning by riding through miles of tension? Wasn’t I reinforcing her fear with my fear? I was certainly reinforcing mine!

Perhaps a relaxed rider could have ridden Makana through her tension and spooking to rhythm until she relaxed. For me, I needed a different approach.

The Pyramid of Training with a fox trotting horse

When my naturally gaited fox trotting horse, Lady, was tense in her lower jaw, mouth, and poll, it affected her whole body, and she would blast off into a hard, hollow trot. Any attempt to slow her down with bit contact only made her trot faster. Lady wasn’t having fun, and neither was I.

Perhaps after a few miles of a hard trot, Lady would have been tired enough to relax into rhythm, relaxation, and a smooth gait. However, what muscle memory was I teaching her? Wasn’t she just learning to run away in tension? For me, I needed a different approach.

Is there another way to do dressage?

In 2013, I began exploring a different application of dressage with my naturally gaited horses. Through DVDs and books by French dressage masters Philippe Karl and the late Jean Claude Racinet, I discovered techniques to help my horses mentally and physically relax before BEFORE I rode.

While Karl and Racinet rode dressage with non-gaited horses, their methods offer many benefits for my naturally gaited horses and for me as the rider.

The core of the French dressage philosophy is “respect to the horse” and the foundation of training is relaxation, balance, and impulsion. The ideal is to train the horse to be responsive to the lightest hand, leg and seat aids from a state of relaxed balance.

 Legerete training model
The Legerete (lightness) training model.

Legerete begins with relaxation and balance BEFORE rhythm.

Surrounding the foundation of lightness is developing flexibility through suppleness. Then mobility with straightness and rhythm, followed by collection developing cadence. Legerete begins with relaxation and balance BEFORE rhythm.

In hand exercises

Instead of lunging or riding a worried or tense horse for miles in hopes of developing rhythm leading to relaxation, I have learned in-hand exercises that teach the horse relaxed balance at a halt and then at a slow walk. These exercises both improve my rein communication with my horse to help them accept and follow a gentle contact with a mild snaffle bit.

inhand flexion
After a flexion to the right to stretch the left-side neck muscles. I signal “Action.”
extension in flexion
The “Reaction” encourages the horse to stretch out in a lower position

Shoulder in
Shoulder in

I’ve noticed the in-hand relaxing and balancing exercises make riding easier, too. These same in-hand flexibility exercises are applied from the saddle at a halt. As long as my horse maintains a relaxed and balanced state of mind and body, I’ll proceed to a slow walk and then increase the tempo to a smooth gait. After developing relaxed balance then we work on developing rhythm.

Anytime my horse gets tense, anxious, or loses balance, I slow down the tempo or halt and reapply these flexibility and suppling exercises until relaxed balance is restored. This has been a better option for me and my naturally gaited horses compared with riding through miles of tension. Plus, the riding we do in a relaxed and balanced state develops the quality smooth gaits and muscle memory I desire. This dressage approach has led to a harmonious partnership with my naturally gaited horses.

My six-year-old naturally gaited Tennessee Walking Horse / Spotted Saddle Horse, Marvel, has been trained exclusively with the Legerete method and is coming along nicely. Plus, I cherish the fun and interactive partnership we have developed.

Anytime my naturally gaited Tennessee walking horses get worried, or my Foxtrotting mare gets tense in her body, I just ease down to a slow walk, halt or even dismount to work in-hand and restore relaxation. I don’t proceed until I’ve established mental and physical relaxation.

How relaxation creates smooth gaits

For me and my naturally gaited horses, we don’t proceed into movement until they are mentally and physically relaxed.

Without relaxation, there is no quality rhythm, no quality steps, no trainable or teachable horse to produce quality smooth gaits.

Thankfully French dressage has been the training philosophy I needed for my naturally gaited horses. Directing my horse to relaxation of mind makes a teachable horse−less tense and distracted and able to stay more focused on our time together. Teaching the gaited horse to relax its body leads to smoother gaits.

Ways to lead the horse into relaxation are:

  • Teaching the horse how to accept and follow a light snaffle bit contact
  • Teaching the horse how to relax the mouth, lower jaw, and poll which helps the horse relax through the back
  • Riding with a snaffle bit contact and following the natural head and neck motion with relaxed hands, arms, and shoulders
  • Making sure I am relaxed as a rider helps me lead my horse into relaxation
  • Shoulder in exercises in hand or from the saddle at a slow walk
  • Developing a partnership of trust and harmony with the horse

Relaxation of the horse’s jaw and back are especially important for the naturally gaited horse. The gaited horse is more prone to pacing when there is tension in the mouth, lower jaw, poll, and back.

My Tennessee Walking Horse has learned to relax her mouth, lower jaw, poll, and back. The step pace and lateral canter are gone. Now she has quality smooth gaits such as flat walk, running walk and saddle rack, and her canter is a quality three-beat canter.

Naturally gaited Tennessee walking horse balanced flat walk
Naturally gaited Tennessee walking horse at a relaxed and balanced flat walk.

For my fox trotting mare, by relaxing her mouth and lower jaw helps her relax her back. The hollow, hard trot is gone. Now she consistently offers a smooth gait.

Lady fox trot
My naturally gaited fox trotting mare, Lady in a relaxed and balanced fox trot with contact.
relaxed and balanced flat walk
My naturally gaited Tennessee walking horse, Marvel in a relaxed and balanced flat walk.

Does a relaxed rider make a difference?

Applying French dressage with my gaited horses in hand and in saddle has built my confidence as the trusted leader in our partnership. It has also helped me be a more relaxed rider when we increase the tempo to a smooth gait or canter.

Neck extension at a flat walk
Riding my smooth gaited Tennessee walking horse Makana in a flat walk with neck extension. The neck extension allows the horse to both stretch its spine and build its top line while allowing maximum stride length.

Over the last several years, I have learned tools that have helped me become a more relaxed and confident rider. My relaxation and confidence lead my naturally gaited horses into relaxation of mind and body. From this mutual relaxation, my horses are able to produce quality, smooth gaits (with a lot less spooks)!

Now we are having fun!

Questions?

Let me know your thoughts by completing the form below.


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Dressage is More than Trot

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