All posts by Jennifer Klitzke

From Kindergarten to High School with Jennie Jackson

From Kindergarten to High School with Jennie Jackson
Jennifer Klitzke riding her naturally gaited mare Lady at a collected soft trot during a lesson with Jennie Jackson, pioneer of dressage en gaite.

By Jennifer Klitzke

Over the last 30 years I’ve ridden with lots of professional riding instructors—both local teachers and traveling clinicians—gaited and nongaited. No doubt, I wouldn’t be where I am today without quality instruction. My hope in attending each lesson and clinic is to learn new insights to help me become a better rider and communicate more effectively with my horses.

Gaited Dressage Legend Jennie Jackson is among my favorite instructors. She generously shares from her rich treasure chest of knowledge and decades of proven experience.

Since 2013, Jennie has imparted knowledge and pushed me beyond what I thought my horse(s) or I could do. She challenges us to the next level of difficulty—whether that is starting canter on a new horse, facing my fears, improving the quality of gait, or advancing to counter canter, simple changes, roll backs, and lateral exercises.

Lessons with Jennie have catapulted me and my horses to new heights quicker than any other dressage instructor (gaited and nongaited) I’ve ever ridden with in the 30 years I’ve been studying dressage.

June 2017 Jennie Jackson-flatwalk
Naturally gaited Tennessee walking horse flat walk.

Not only that, Jennie is a national gaited horse judge, and over the last four years she has helped me and my naturally gaited Tennessee walking horse, Gift of Freedom (Makana) develop and improve a head-shaking, deep-striding flat walk and running walk.

How it all began
In December 2012, I purchased Jennie Jackson’s DVD set with my Christmas money. Watching the DVDs, I was impressed to witness gaited horses moving in collection, engagement, and forwardness—working the lateral exercises in softness and suppleness. It amazed me that Jennie had trained her Tennessee walking horse stallion Champagne Watchout to the highest levels of dressage and performed before a live audience. These are two things that are extraordinarily difficult to do, and to date, Jennie is the only one in history to have accomplished both. Jennie Jackson is a Living Legend!

After watching the DVDs, I asked Jennie if she has held clinics in the Midwest. She hadn’t, so that’s when I organized the 2013 Jennie Jackson Dressage as Applied to the Gaited Horse Clinic and 2014 Jennie Jackson Dressage as Applied to the Gaited Horse Clinic in Minnesota.

The following years I flew to Tennessee to ride at a 2015 Jennie Jackson Dressage as Applied to the Gaited Horse Clinic, and I flew to Alabama to be Jennie’s working student in 2016.

This year, Jennie happened to be traveling through Minnesota on her way between clinics and that’s how this year’s lessons took shape. I had contacted nearly a dozen gaited riders who live near me to see if they would be interested in lessons. That didn’t work out, but no worries, Jennie gave me and my two naturally gaited horses, Lady and Makana, an inspiring and challenging education.

Lessons with Lady
Lady has been at my place for three years, and as of April 2017, she became my newly acquired naturally gaited horse. I have been thrilled with Lady’s progress this spring and summer and astounded with where Jennie took us in our lessons—moving from kindergarten to high school through connection, softness, lightness, balance, lateral exercises—and even canter under saddle!

Lady is moving more consistent in a light contact. She is more supple in her bending and is moving with more engagement in her easy gait.

Lady performing a collected soft trot working on lateral exercises for softness and suppleness.

To establish bend, suppleness, softness, and connection from the inside leg to the outside rein, we worked on lots of true bend and counter bend at a walk and collected soft trot. The soft trot is not a true two-beat diagonal gait. It is an easy gait somewhere between the fox trot and hard trot—yet smooth to ride.

Hard trot
Trotting the gaited horse on cue has many benefits. For Lady, it develops rhythm, engagement, forwardness, and strengthens the top line muscles.

We also worked Lady in a 20-meter circle and along the rail in a forward hard trot between true and counter bend. This improved her engagement and straightness.

Lady cantering right lead
Jennie cantering Lady in her right lead.

Then we introduced canter under saddle. I had been working on canter with Lady in the round pen over rails to break the cross canter. During our lesson, Lady was taking her left lead clean, so we focused on her right lead. Instead of cross cantering, she kept choosing counter canter. With Jennie’s determination, coaching and perseverance, Lady began taking the right lead canter in all three lessons.

I am thrilled to have both of my gaited horses cantering now thanks to Jennie.

Lessons with Makana
It’s been a few years since Jennie had last seen my naturally gaited walking horse Makana, and I was so happy that she confirmed the path we have been on in our flat walk. Not only that, but Jennie helped us increase the tempo while maintaining the reach and depth of stride.

How? Straight lines.

shoulder in
Me and Makana work the shoulder in and haunches in at a slow balanced, collected walk. It felt weird riding so slow without a head nod, but that’s normal for the collected walk. These exercises supple, strengthen, straighten, and balance the horse and will improve the flat walk.

There’s a place for dressage exercises on a circle with lateral movement and a place for straight lines to develop show gait. This was a light bulb moment for me.

We began our lessons with shoulder in, haunches in, true bend and counter bend on a 20-meter circle in a slow, short-strided, collected walk. Did you know that a collected walk is slower, has very little to no head nod, and the stride depth is shorter and more under the body? Yes, it’s true! If you are like me, and get used to flat walk with a head nod and deep stride, the collected walk feels very foreign, but there is a place for it in the lateral exercises and it will only improve the flat walk.

Circles and collected lateral exercises are wonderful for breaking up pace, suppling and softening the horse, and getting the horse to listen to the inside leg to the outside rein, but working on a circle limits the range of motion that only a straight line can offer. 

Makana flat walk
Me and Makana enjoying the ultimate glide ride! Once a horse has an even four beat gait, rail class show gait is best developed on straight lines to put the horse in a position conducive for maximum depth of stride.

Once a horse has an even four beat gait, rail class show gait is best developed on straight lines for maximum depth of stride.

That’s when we moved to the rail and allowed Makana freedom of her head and neck in a medium walk with maximum depth of stride. As soon as she became even in her rhythm and timing of her head nod, we increased the tempo while maintaining the deep steps. Alternating a tickle with my heel as Makana’s hind foot stepped under her body helped deepen her stride. If she rushed off in short strides, I applied a half halt and I would start again.

When Makana found her rhythm and timing at a faster tempo with deeper strides, I just enjoyed the glide ride.

In addition to working on show gait, Jennie coached us on canter, halt, rein back, canter transitions and canter, counter-canter transitions. Riding the canter on a 20-meter circle in counter bend before executing the counter canter really helped hold her together through a full figure eight and back to the true canter lead.

To book Jennie Jackson for lessons, clinics, and expos, visit www.4beatdressage.com.

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Video: How Dressage Improves Quality Smooth Gaits

In this video, I show how dressage improves smooth gaits with my naturally gaited Tennessee walking horse.

No heavy shoes, pads or chains. No harsh bits or long spur. No artificial enhancements or gadgets.

I trained my barefoot Tennessee walking horse using dressage.


I hope this is helpful. Let me know your thoughts by sending a message.

Visit website: NaturallyGaitedHorse.com
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Breaking Pace & Cross Canter Using Trot & Ground Rails

Breaking pace and cross canter

Do you refine pace or cross canter? Likely not. Instead learn ways to break pace and help your gaited horse develop quality smooth gaits and a true canter.

Here’s my story…

Breaking Pace and Cross Canter Using Trot and Ground Rails to Develop Quality Smooth Gaits

By Jennifer Klitzke

Do you have a gaited horse that paces or cross canters? If you’re like most gaited horse owners, you don’t practice improving the quality of the pace and cross canter, right? We work on breaking pace for a smooth gait and replace cross canter with a true three beat canter.

My gaited dressage mentor Jennie Jackson taught me many valuable tips over the years. Among these tips are breaking pace and cross canter by disrupting lateral movement using diagonal gaits like the trot and true canter.

Introducing ground rails to teach trot and canter

A great way to start diagonalizing movement to breaking pace and cross canter is introducing the gaited horse to ground rails to teach trot and correct the canter.

In the video below, I show the progression of how I introduce my naturally gaited horse to a ground rail using trot and use the ground rail to break up her cross canter as she learns true canter. Above all we focused on relaxation, balance, rhythm and forward movement without rushing starting at the walk, then the trot, and then the canter. I teach all of the gaits on cue.

Watch: Breaking Pace & Cross Canter Using Trot & Ground Rails

Steps to introduce ground rails to help break up pace:

  • Introduce the horse to the equipment to encourage relaxation: Introduce the rail(s) and lunge whip gently and gradually so the horse isn’t afraid of them and finds relaxation.
  • Begin at a relaxed walk and increase tempo gradually: Encourage the naturally gaited horse to find relaxation, balance, rhythm and forward movement without rushing. Begin at a relaxed walk. Then cluck and say, “trot” to increase tempo to a trot. If the horse doesn’t trot, say, “trot” cluck and motion the lunge whip. Only escalate the aids if the horse isn’t responding. After a few steps of trot. Stop and praise. Do this a few times until the horse understands trot.
  • Then help the gaited horse settle into a relaxed, balanced, trot with even rhythm and forward movement without rushing. This might take some starts and stops if the horse is explosive. Encourage relaxation, as this is the first element to establishing rhythm.
  • For canter, start with one ground rail and then add a second a canter length apart (6-9 feet). One ground rail can help correct cross canter any time the hind legs are traveling on the wrong lead. When the horse hops over the ground rail they often correct the hind legs to the true canter lead. If the horse gets tense or loses its balance, gently transition the horse back to a walk or trot to re-establish relaxation, balance, rhythm and forwardness before transitioning back up. If you have a round pen, you can set up a rail or two or a rail to a small fence or cross rail.
gaited horse over jump
Free lunging over a jump in a round pen is another way to help the gaited horse develop a quality 3-beat canter.
  • Teach quality gaits on cue: Teach a quality walk, trot and canter on cue over ground rails to build the correct muscles. Don’t let the horse decide its gait, blast off into tension, or travel continually in a hollow ewe neck frame. Teach gaits that build the top line muscles, encourage a deeper step under the body, and gaits that develop relaxation, balance, forwardness without rushing, and even rhythm and tempo.

If you struggle with a lazy four beat canter, uncoordinated cross canter or a tense pacey canter, pace or step pace with your gaited horse, you’re not alone. I have experienced all of these in the training of naturally gaited horses.

Breaking Pace Canter or 4-beat Canter for Quality Canter

In the video below, me and my naturally gaited Tennessee walking horse, Makana show exercises to breaking pace canter and a four-beat canter to improve canter quality. The goal is a relaxed three beat canter with more airtime.

The first exercise uses rein back to bend the hindquarter joints and engage the abdominal muscles to lift her back before transitioning to canter. This positions my horse in the best posture for a depart to a quality canter.

The canter second exercise is SUPER FUN over ground rails. It elevates the canter and breaks up a four-beat canter.

Watch: Exercises to Break a Pacey Lateral Canter or 4-Beat Canter

More Exercises for the Gaited Horse to improve smooth gaits.


I hope this is helpful. Let me know your thoughts by sending a message.

Visit website: NaturallyGaitedHorse.com
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2016 FOSH Gaited Dressage Winners

This year my naturally gaited Tennessee walking horse Gift of Freedom and I gave Gaited Western Dressage a try through North American Western Dressage Association (NAWD) Virtual Shows.

2016 was a year of firsts for all three gaited dressage winners

Friends of Sound Horse (FOSH) announced the award winners for the 2016 FOSH Gaited Dressage Program, a division of FOSH Gaited Sport Horse. This unique program recognizes and rewards gaited horses competing in the discipline of Dressage.

2016 entries included the Spotted Saddle Horse, Tennessee Walking Horse, Missouri Fox Trotting Horse, and Rocky Mountain Horse. Eligible scores ranged from 62.8% to 74.50%. Eligible tests may be Live, Virtual, English or Western. Recognition was given in Two Gait, Introductory, Training, First, and Second Levels.

IJA Western Training 2 canter
Jennifer Klitzke riding her naturally gaited Tennessee walking horse Gift of Freedom at one of three North American Western Dressage Association Shows.

For my naturally barefoot and naturally gaited Tennesee walking horse, Gift of Freedom, this was the first we submitted entries for Western Dressage. While we have been award gaited dressage award winners in the FOSH gaited dressage category, this is the first time we have won in the Gaited Western Dressage division.

Loren Hilgenhurst Stevens riding Sosa’s Playboy at Sonset, a Tennessee Walking Horse.

I am thrilled to see gaited dressage grow! Congratulations to Sosa’s Playboy at Sonset, a Tennessee Walking Horse, owned by Nicole Mauser-Storer of Bartonville, IL who are a new entrant to the FOSH gaited dressage program. Not only did this duo submit seven test scores, they won the award for Training Level and achieved the highest score of 74.50%,.

Congratulations also to Cash-N-Out owned by Loren Hilgenhurst Stevens of Atkinson, NH who was a new entry in 2016. This Tennessee Walking Horse was the award recipient in the Two-Gait category, submitting six test scores.


To be eligible for awards in the FOSH Gaited Dressage Program, three scores of 60% and over must have been recorded in any level of Dressage competitions with a recognized judge. Tests must have been specifically developed and written for gaited horses. Recognized tests include IJA, NWHA, WDAA and Cowboy Dressage.

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Not All Dressage is the Same

Not All Dressage Is the Same

Did you know that there are different forms of dressage, producing different result? Here’s my story.

Not All Dressage is the Same

By Jennifer Klitzke

In the realm of dressage, there are various approaches and methods that can shape the way we train and communicate with our equine partners. From the competition dressage pyramid to an artistic French dressage style, each path offers unique outcomes.

After seven years studying competition dressage, French dressage master Dominic Barbier traveled to my region. I experienced the lightness and joy he brought to his work with horses. This sparked a shift in my training methods, moving towards a more creative and right-brain approach that focused on a two-way dialogue with my horse.

As I delved deeper into my dressage journey, I encountered the teachings of classical French dressage master Philippe Karl and the late Jean Claude Racinet. Their emphasis on balance, relaxation, and the separation of hand and leg aids opened up a new way of communicating with my horses.

Contrasting the back-to-front approach of competition dressage, where we drove our horses forward with our seat and legs into our hands to form contact, the French dressage method lightness to the hand and leg by separating the leg and seat aids for “go” from the hand aids for “stop.” I found an improved responsiveness from my horses through this distinction in my communication.

The focus on relaxation and balance from the beginning of training in French dressage has transformed the way I work with my horses. By prioritizing the horse’s comfort and well-being, I have seen improvements in their mental and physical relaxation, leading to smoother gaits and a deeper partnership.

Transitioning from a one-way to a two-way communication approach has been transformative as well. Instead of viewing resistance as disobedience, I now see it as a signal of misunderstanding or difficulty, prompting me to refine my communication and level of difficulty to ensure understanding and harmony with my horse.

In dressage, there are more than one path to explore, each offering its own applications and outcomes. French dressage has reshaped my approach and instilled a deep appreciation for the artistry and partnership that define this paradigm. As I continue to navigate the nuances of different dressage methods, I am reminded of the words of Philippe Karl: “If the dressage is good, it will work on any horse.”

Dressage is a journey of discovery, communication, and partnership with my horses. I am grateful for the diverse approaches that have enriched our experience.


I hope this is helpful. Let me know your thoughts by sending a message.

Visit website: NaturallyGaitedHorse.com
Subscribe: Naturally Gaited youtube channel
Follow: facebook.com/naturallygaitedhorse