"Dressage is more than trot...and the saddle you ride in."
-Jennifer KlitzkeSome traditional dressage riders believe that dressage is ONLY for horses that trot. While many gaited horse owners believe that dressage will MAKE their gaited horse trot. Others believe that teaching their gaited horse to trot on cue will ruin their horse's natural gait.I challenge these notions and here's why...Dressage improves the quality of natural movement in a horse whether it trots or has a smooth four-beat gait.Dressage is a French term for training the horse and rider. Whether a horse is ridden in an english or western saddle; whether the horse trots or gaits, it doesn't matter. Dressage brings about the best natural movement whether the horse walks, trots, flat walks, fox trots, or canters.Why? When a rider grows in knowledge, awareness, and application of a balanced riding position with the horse's center of gravity and applies effective use and timing of leg, rein, seat, and weight aids to communicate with the horse, dressage improves relaxation, balance, rhythm, connection, harmony, engagement, straightness, and collection. These elements improve the quality of movement and the full range of motion. For the naturally gaited horse, this means, smoother gaits, deeper strides, and a sounder horse for longer.Enjoy the journey!
The shoulder-in is a great exercise for any horse, especially a gaited horse that paces. It diagonalizes the footfall sequence to break up pace, encourages a relaxed and soft position, develops balance, suppleness and strength.
The shoulder-in is a great exercise for any horse, especially the naturally gaited horse that paces, because this exercise diagonalizes the horse’s footfall sequence leading to a smoother gait. The shoulder-in is one of several exercises that helps break up a lateral footfall sequence to develop a smoother four-beat gait. Plus, the shoulder-in is a terrific exercise to teach balance.
First of all, let’s look at some of the reasons a naturally gaited horse paces, and then how the shoulder-in can help the horse develop a smoother gait.
Why do naturally gaited horses pace?
Some naturally gaited horses are inherently wired with a tendency to pace. Yet, there is hope for horses like this by teaching the shoulder-in.
Other reasons the naturally gaited horse paces are the horse feels blocked by a tense or stiff rider and riding in a saddle that pinches and causes the horse to tense and hollow its back. In either case the horse is unable to naturally swing its back resulting in pace or stepping pace. Learning a balanced riding position and riding in comfortable, well-fitting equipment is a must.
Adding to tension is a naturally gaited horse ridden with braced contact, a harsh bit, or riding with two-handed contact in a curb bit. The horse tenses its lower jaw leading to stiff, braced movement. Often the horse learns to avoid the contact by dropping their nose behind the vertical. Teaching the naturally gaited horse how to accept and follow a snaffle bit contact is a great way to teach relaxation of the mouth leading to smoother gaits. Learn more:Introducing a Gaited Horse to a Snaffle Bit | Naturally Gaited Horse
Another reason a naturally gaited horse paces is a weak back, loading their shoulders, and disengaging the hind leg steps (not tracking up under their body mass with the hind leg steps). Teaching the horse how to perform a shoulder-in on a circle can transform pace into a four-beat walk while also suppling and strengthening the back and hind leg steps.
How can the shoulder-in help develop a smooth gait?
The shoulder-in is a three or four track lateral exercise that helps diagonalize the horse’s foot fall sequence which breaks up the lateral steps of pace. Plus, it relaxes and softens the horse while strengthening the inside hind leg as it steps under its body mass. The hind legs and the front legs cross over, but not at the same time. The shoulder-in is not a side pass, rather it is a lateral bending exercise.
The shoulder-in also helps the naturally gaited horse learn balance by engaging the hindquarters, lifting the back, raising the chest and shoulders. The benefits include strengthening the inside hind leg as it steps under its body mass and helping the horse become soft, supple, flexible, and symmetrical.
The shoulder-in can be ridden in a straight line or the arc of a circle. The shoulder-in along the rail or arena wall is a great way to guide the rider and horse through a few steps. After the rider and horse understand the exercise along the wall, the shoulder-in is also a beneficial exercise on a circle.
Shoulder-in on a circle
The shoulder-in on a circle is an excellent remedy for the pacey naturally gaited horse because it diagonalizes its foot fall and makes the forelegs slow down while the hindleg steps take bigger strides. This relaxes the horse’s back by the alternating right and left hind steps. After a few steps in shoulder in on a circle, the horse can be directed into a straight line as long as the horse maintains a four-beat walk. As soon as the horse begins to pace, the shoulder-in on a circle resumes to break the lateral foot fall sequence.
Introducing the shoulder in along the rail and in hand.
The best way to introduce the shoulder-in is in hand. Then once the horse understands the movement, it can be performed with a rider at a slow walk. When both the rider and horse are moving as one in a shoulder-in, the exercise can be applied at a slow gait.
Now let’s look at the rein, leg, seat, and weight cues.
What are the shoulder-in cues?
There are many ways to cue the horse for the shoulder-in using the reins, legs, seat and weight aids. Over the years I have learned a few ways which are outlined below. Most importantly, it is most helpful to the horse to remain consistent with the aids after a method is adopted.
Let’s take a look…
Four ways to cue the shoulder-in
Shoulder-in cues version 1
Shoulder in along the rail (Naturally gaited Tennessee walking horse at five years old)
I began riding dressage with non-gaited horses and learned to apply the shoulder-in on a straight line with the following aids.
Inside leg on the girth to encourage the bend
Outside leg behind the girth to hold the haunches along the bend
Outside rein to keep the head and neck from over bending
Inside rein to encourage softness and a slight bend
Shoulder-in cues version 2
Jennifer and her 6-year-old naturally gaited Tennessee Walking Horse at a clinic with Larry Whitesell teaching us lateral exercises.
In 2010, I took my then six-year-old naturally gaited Tennessee Walking Horse to a Larry Whitesell, a gaited dressage clinician, who introduced me to another set of cues for the shoulder-in.
Outside leg at the girth
Inside leg behind the girth encouraging the horse to step its hind leg under its belly
Outside rein keeps the horse from over bending the neck, inside rein applies a slight give-and-take with the fingers to encourage softness and a slight bend
The rider’s shoulders turns to face the direction of movement and slightly more weigh is applied in the outside iron
At first this method was counter to my habit of learning the first version. Yet after trying it I was amazed how easy my horse grasped the shoulder-in and how effortless it is for me to ride it.
Larry has a DVD set that demonstrates the shoulder in as well as other exercises. It wasn’t until I rode with him that I realized how a soft and light contact can be. Larry has traveled all over the country to teach riders the benefits dressage has for the naturally gaited horse leading to smoother gaits.
Shoulder-in cues version 3
The shoulder-in on a circle diagonalizes the foot fall sequence helping to break up pace.
I learned of another way to cue the shoulder in with my rein, leg, seat and weight aids when I began studying the School of Legerete by Classical French Dressage Master Philippe Karl through his books and DVDs.
The rider sits slightly to the inside if applying the exercise on a circle and slightly to the outside if applying the exercise on a straight line
Inside leg is at the girth to encourage the horse to step under its body mass and toward the outside front leg
Outside leg at the girth
Inside hand is raised while requesting the horse to relax the jaw, mouth and poll and bend inward enough to see the inside eye
Outside hand is lowered at the wither.
If the horse leans on the bit, both hands are raised to meet the corners of its mouth with a nudge upward until the horse carries its own head and neck
Riding Lady, my 20-something grade gaited horse on a shoulder-in on a circle.
In 2024 I began learning and applying shoulder-in on cues as taught by Heather Moffett through her Online Classical Equitation Academy and book, “Enlightened Equitation.”
Outside leg from the hip to the foot are drawn behind the girth and follow the belly sway
Inside thigh and calf are positioned at the girth also following the belly sway while encouraging forward movement
The rider draws their inside shoulder back when riding shoulder-in on a straight line (outside shoulder back when riding shoulder-in through the bend of a corner or on a circle)
Outside rein at the wither to keep the horse from over bending the neck,
Inside rein lifts to soften the lower jaw and ask for a slight bend to the inside enough to see the eye; when the horse responds, the inside hand can be lowered to the neutral position alongside the outside hand
The rider maintains equal weight in the irons and a balanced following position which helps the rider not collapse and allows the horse to lift its back instead of hollow
Why not give each shoulder-in method a try and see which one makes most sense for you and your horse. Then remember to be consistent with your rein, leg, seat, and weight aids to improve your communication with your naturally gaited horse to smoother gaits.
I hope this is helpful. Let me know your thoughts by sending a message.
My barefoot and naturally gaited Tennessee Walking Horse and I are showing dressage at a flat walk and running walk instead of trot.
Showing Dressage with a Gaited Horse
By Jennifer Klitzke
Yes, you can show your naturally gaited horse in dressage without trotting!
This is great news for those of us who love to show. Showing gaited dressage is growing in popularity around the USA—both english and western variations. Virtual shows allow you to compete without leaving home.
Are you interested in riding your naturally gaited horse at a dressage show but not sure what to expect? I’ve ridden my Tennessee Walking Horse and grade gaited horse at traditional schooling dressage shows for years. This video shares tips on riding a dressage test with a gaited horse.
Watch: Tips on Riding a Dressage Test with a Tennessee Walking Horse
Schooling dressage shows
Schooling dressage shows are a great way to give dressage shows a try. In this friendly environment, you’ll receive constructive feedback from an experience dressage professional on where you and your horse are at in your training—what’s working and what needs improvement. Plus, you don’t have to wear the stuffy suit or braid your horse’s main, unless you want to. Casual riding attire is the norm at schooling dressage shows. The only requirements are riding with a helmet, boots with a heal, and riding in the right equipment: legal snaffle and english saddle for tradition dressage and some western dressage allows a legal curb or snaffle and a western saddle.
Riding a naturally gaited Tennessee walking horse in virtual North American Western Dressage Association Shows.
I love riding dressage tests because they are written to help the horse develop symmetry. All movements are shown traveling clockwise and counterclockwise. Invariably, one direction is more challenging for my horse and for me as a rider. Showing dressage encourages me to face my weaknesses and address challenges I might otherwise avoid, like breaking up the left lead canter that can get pacey or break into a cross canter. (Of course, not all dressage tests require canter. The Intro level tests generally require halt, walk, and a smooth gait like flat walk.)
Showing dressage with my naturally gaited horse challenges me to become more aware of how my riding position and use of aids affect my horse. The dressage test helps me communicate more precisely through the use and timing of my hand, leg, seat, and weight aids to guide my horse through each movement at the letter. This also means preparing my horse before each transition. Each test leads my horse through a variety of gaits and postures to develop quality smooth gaits and full range of movement.
Yet by facing weaknesses, my horse becomes more supple and stronger and improves symmetry, while I become a more confident rider and our partnership grows.
Five benefits to showing gaited dressage
Introducing your horse to unfamiliar sights and sounds
Being in the spotlight, alone in the arena with the judge’s undivided attention through several minutes of your test
Confirming where you and your horse are at in your gaited dressage training by a professional judge
Receiving your test sheet with scores and remarks from the judge to know what went well and what needs work
Bragging rights if all goes well!
Showing is not a requirement to learn dressage
For me, dressage is more than riding a test at a show. It’s about continually learning to become a more educated rider; developing a balanced riding position; awareness of feel; the use and timing of my hand, leg, seat, and weight aids; how my riding position and aids effect my horse.
Gaited dressage is about seeking to declutter my mind and be present with my horse; to listen to, understand, and respond to my horse in a two-way dialogue and partnership using my voice, my hand, leg, seat, and weight aids.
Gaited dressage is a mobile communication language
Gaited dressage is how I communicate with my horse whether I show or not.
Gaited dressage is while riding at home in my arena
Gaited dressage is while riding on the trail
Gaited dressage is while sorting cows or negotiating a trail obstacle
Gaited dressage is riding a test at a show
Dressage is a versatile language
Cow sortingGymnastic jumpingTrail Riding with a Gaited HorseBareback ridingEndurance ridingTrail trialShowing Western Dressage with a Gaited HorseShowing stadium jumping over railsSchooling dressage show
I hope this is helpful. Let me know your thoughts by sending a message.
Did you buy a gaited horse and wonder why it paces, has a hard trot or doesn’t stay in a smooth gait consistently? I did.
Here’s my story…
I bought a gaited horse, why doesn’t it have a smooth gait?
By Jennifer Klitzke
Does a gaited horse need special shoes or does a farrier need to trim a gaited horse at special hoof angles for a smooth gait? Do you need a certain bit or a gaited saddle? Does a gaited horse a professional trainer to make the horse smooth?
Smooth gaits are genetic to gaited horse breeds, such as the Tennessee walking horse, Foxtrotter, Paso Fino, Rocky Mountain, Icelandic, among others. Each gaited horse breed has a unique set of natural smooth gaits as the flat walk, running walk, fox walk, fox trot, largo, saddle rack, tolt, to name a few.
I watched people riding these smooth breeds. They aren’t bouncing. They are smiling at the end of a trail ride. Their bodies aren’t paying for it later. Ecstatic, I exclaim, “I gotta get myself one of those smooth gaited horses!” What say you?
Here’s my story to a smooth gait
Me, I had thirty years dressage riding and training the walk-trot-canter horses. Smooth gaits like flat walk, running walk, fox trot, tolt and saddle rack were just as foreign to me as head nodding, ear flopping, and teeth clicking.
All I knew is my youthful mind grew into a grandma body. I didn’t want to give up riding. I just I wanted a smoother horse to ride.
How to train a naturally gaited Tennessee Walking Horse
Makana, my naturally gaited Tennessee Walking Horse filly.
In 2007 I acquired my first smooth gaited filly, a three-year-old, naturally gaited Tennessee Walking Horse with 20 rides on her when she became mine.
Dressage had been the only form of riding I knew. Yet, the competition world told me dressage is ONLY for horses that trot. Gaited horse owners said dressage would MAKE my gaited horse trot. Others said dressage would RUIN my horse’s natural smooth gaits.
Okay, so how do I train my naturally gaited Tennessee Walking Horse?
I looked for books and scoured YouTube for videos about training Tennessee Walking Horses. Then I came across videos showing the horses moving in exaggerated and unnatural ways. Wondering why, I noticed the horses’ long toes strapped with thick pads and big shoes. Chains clanging around their ankles. The riders sat back on the horses’ loins and hunched forward. They wore long spurs and drove their horses forward into two-handed contact with big shank bits. The horses’ expressions looked tense and distressed.
This wasn’t the training I grew up with. If this is how Tennessee Walking Horses are trained, I would have NO part of it! Dressage is all my barefoot Tennessee Walking Horse would know.
That’s when I set out to discover “dressage is more than trot.”
If this is how Tennessee Walking Horses are trained, I would have NO part of it! Dressage is all my barefoot Tennessee Walking Horse would know.
That’s when I set out to discover “dressage is more than trot.”
Dressage is humane. (At least the dressage I have been taught). Dressage instructs the rider into a balanced position over the horse’s center of gravity. The rider learns how to communicate with the horse by effective use and timing of rein, leg, seat and weight aids. The rider learns how to teach the horse how to accept and follow contact with a mild snaffle bit.
Decades of dressage lessons, study and application had taught me the benefits dressage brings the non-horse. No unnatural hoof angles, long toes, big shoes, thick pads or ankle chains are ever worn. Riders never wear long spurs or harsh bits.
Dressage teaches the rider how to lead the horse into mental and physical relaxation, balance, rhythm (even tempo and strides), forward movement without rushing, connection, symmetry (even flexibility), and collection (engagement). Through kind and humane training over time, dressage develops the horse’s full range of motion for quality gaits, long-term soundness, and a partnership of harmony between the horse and rider.
Just because my Tennessee Walking Horse doesn’t naturally trot, why couldn’t we glean the benefits of dressage to develop her smooth gaits?
We set out on a mission to find out.
How to train smooth gaits on cue
It didn’t take long to realize my young gaited horse had ALL of the gears: walk, trot, canter, flat walk, pace, step pace, saddle rack, and fox trot. If I would be training her, it was my job to discover what each gait felt and sounded like and put cues to the ones I desire.
Easy? No, but the journey has been rewarding!
Watch: How dressage improves smooth gait
This video captures our first few years of training.
Our process to quality smooth gaits
Since my naturally gaited Tennessee Walking Horse was only three years old, we walked a lot for the first summer season. If she had been older than three, I may have introduced brief transitions to a smooth gait sooner.
We began at a free walk on a long rein (with a light contact). This began a good pattern of developing an even four-beat muscle memory. I was fortunate Makana had a natural four beat walk. Many Tennessee Walking Horses don’t. Instead, they pace instead of walk. If that had been the case, we would have introduced walking over rails and working in hand exercises at a shoulder in to diagonalize the step sequence.
At the free walk, I encouraged mental and physical relaxation and forward moving steps without rushing. This encouraged L-O-N-G, ground-covering steps. Rushing the tempo only shortens the steps and tends to create tension in the horse. I encouraged her to take the bit down and forward in a neutral position. This helped stretch her top line muscles which is especially important for long-term soundness.
2007: Here’s my three-year-old naturally gaited Tennessee Walking Horse. We began our training with a relaxed and forward moving free walk on a long rein. This quality walk helps develop an even four-beat muscle memory and longer strides.
I rode Makana five-six days a week for 30 minutes each time. Three days of riding in a row followed by a day off helped her progress in her training and strength.
Video: Tips to Longer Strides and Smoother Gaits
My naturally gaited Tennessee Walking Horse at 19 years old.
The aids of communication
Dressage teaches the rider how to communicate with the horse through leg, seat, weight and rein aids. Coming from the dressage world, snaffle bits are all I know to develop a means of communicating with the horse’s mouth, lower jaw, and poll. It is important to develop a positive relationship with my hands and the horse’s mouth so the horse learns bit acceptance and a willingness to follow the contact with a relaxed mouth, jaw and poll.
If the horse becomes defensive in the mouth from a harsh bit or rough hands, the horse learns self-protective measures and bit avoidance. This leads to tension and stiff pacey movement for the naturally gaited horse.
Gaited horses are often ridden in curb bits with two-handed contact and a low, fixed hand position. Many look stiff and tense and are pacing or step pacing. Early on, we gave rail class a try, and that’s what we experienced riding two-handed with a curb (as pictured). I wonder if gaited horses develop a habit of pacing when trained this way.
I wonder if gaited horses develop a habit of pacing when ridden in curb bits with two-handed contact and a low fixed hand position.
If riding with two-handed curb bit contact creates tension, it makes it difficult to teach the horse bit acceptance and relaxation. When horses are not comfortable with the bit or low, fixed hands, they find ways to avoid the contact: drawing their nose behind or above the vertical, fighting the bit, running away, flipping their tongue over the bit, and locking their jaw. Any of these pain reactions create tension through the horse’s body leading to pacing (as seen in the photo above).
Video: Rider Position and Effect on Smooth Gait
Relaxation is key to developing smooth gaits
Relaxation doesn’t mean sleepy and dull. Relaxation means the absence of body tension and pain and freedom of mental anxiety. Relaxation is key to developing smooth gaits.
Mental and physical relaxation is key. Relaxation doesn’t mean boring our horses with monotony. Relaxation means the absence of body pain and tension and freedom of mental anxiety. Relaxation is key to developing smooth gaits.
Since we were not producing smooth gaits in a state of tension, I stopped riding in a curb bit with two-handed contact and returned to a mild snaffle bit.
I began teaching Makana how to accept a light, gentle contact with a mild snaffle bit. At the same time, I needed to follow her natural head and neck motion with relaxed arms, hands, and fingers. My hands are an important part of dressage communication and trust. If I hold tension in my shoulders, with locked elbows and fists, it will communicate tension to my horse.
My naturally gaited Tennessee Walking Horse became more teachable when her mind was free from anxiety. She paid more attention to me and less attention to the distractions around her. Then her body began to relax. When my gaited horse found mental and physical relaxation, smoother gaits started to form, and she became more comfortable to ride.
Cues to the free walk
A split second before I request my horse to move from a halt to a walk, I draw both hands forward slightly to allow space for my horse to move forward into without feeling boxed in by the bit
A split second later, say the word, “walk” and I make a “cluck” sound
If there is no response to a walk, I squeeze and release my lower calves at the girth while urging my seat forward
If still no response, I follow it up with a light tap of the whip behind the girth and a “cluck” sound
When my horse steps forward into the walk, then I reconnect my following contact with my reins
I also notice the side-to-side belly sway and follow (not drive) this motion with each hip joint and my lower back
Leg yield exercises
Leg yields are a great exercise to teach at a walk. This exercise helps the rider coordinate the use and timing of rein, seat and leg aids as the horse moves and it teaches the horse to move away from the rider’s leg pressure while remaining straight in the body by the reins.
Leg yields can be applied along the fence, from the quarter line or center line to the fence or zig zag from quarter line to quarter line.
Leg yields from the quarter line to the fence:
I positioned my horse straight at the quarter line of the arena
encouraged her forward with both calves and release
Then I applied my inside calf at the girth as my horse’s hind leg is about to leave the ground to urge her to step that hind leg under her belly and move forward and slightly at an angle toward the fence
Video: Leg Yield Exercise
Introducing steps of smooth gait
When I began to transition my naturally gaited Tennessee Walking Horse from a relaxed free walk into a few consecutive steps of flat walk, sometimes we had a couple steps of a variety of gaits: flat walk, step pace, pace, saddle rack, fox trot, and a mystery gait with quick small smooth scampering steps.
We’d slow down to a relaxed walk, and I’d ask for a flat walk again. As soon as she took three or four consecutive steps, it was important to stop and reward her before she switched to another gait. Over time, she gained more strength and balance to maintain more consecutive steps of flat walk.
My filly broke into another gait because she lacked the strength or fell out of balance.
When I rode non-gaited horses, there was a clear difference between a walk, trot and canter. The hardest part was discerning the level of quality within each gait.
The hardest part about riding a young, green Tennessee Walking Horse is discerning one smooth gait from another. Smooth feels smooth. How do I decipher one smooth gait from another? This takes time to develop through what I feel, hear and notice. Some smooth gaits have an up and down head nod like the flat walk, running walk, and fox trot.
Some smooth gaits do not have a head nod like the saddle rack. Some smooth gaits like the rack, the head moves side to side instead of up and down.
Adding to this, the flat-footed walk has an up and down head and neck nod that appears much like a flat walk, but this gait is not smooth. There is a lot of motion for the rider to follow with their lower back and hip joints. The flat walk is smooth with no motion for the rider to follow with their lower back and hip joints.
Another smooth gait with an up and down head and neck nod is the canter. Faults to the canter are the four-beat canter which is smooth, the cross canter (hind legs on the opposite lead from the front legs) and pace (lateral) canter. Both the cross canter and pace canter are not smooth. Other jarring gaits I encountered during our training include the hard trot and hard pace. Neither have a head nod.
Rewarding every few steps of smooth gait
For those of us DIY riders, it takes patience, understanding, time, and consistency to train a young, green naturally gaited horse to develop smooth gaits. Discovering how many consecutive steps of smooth flat walk my naturally gaited Tennessee Walking Horse was capable of before losing balance or strength became helpful. Then I would stop to reward her before she broke into another gait. Positive reinforcement goes a long way.
Over time, with patience, my smooth gaited Tennessee Walking Horse took more and more consecutive steps of flat walk as she grew stronger.
Once my Tennessee Walking Horse developed the strength and balance to maintain more consecutive steps in the flat walk, I asked for more ground covering strides and tempo to develop the running walk. Then I asked for transitions from flat walk into a few steps of running walk on a straight line.
Canter improves smooth gait
At the end of the second summer, Makana was four years old. By this time we had developed flat walk and running walk on cue. Now it was time to introduce canter on cue.
Canter became my naturally gaited Tennessee Walking Horse’s most challenging gait to develop. I’ve learned this is common among gaited horses. We wrestled with a lateral pace canter, a four-beat canter, a cross canter, and the wrong lead altogether, before we finally achieved a three-beat canter. This took time and practice. Makana’s left lead canter was easier to than her right lead. Most horses are asymmetrical, so one lead is normally easier than the other.
Mental and physical relaxation are important for canter. Many times canter excites the horse which can rattle a nervous rider. Using ground rails are helpful for the horse to take the correct lead.
Once Makana understood the canter cues, I used transitions from halt, rein back, and walk to canter on a large circle. Anytime the canter felt four-beat, we would ride canter along the rail of the arena and increased the tempo to achieve a three-beat canter.
2010: Riding at our first dressage show on a horse that didn’t trot.
When Makana was reliably taking either canter lead on cue, I began our riding sessions with canter, because it improved the quality of her flat walk. Canter was a great stretching and warm up exercise for her.
Improving smooth gait quality on cue
When my Tennessee Walking Horse turned five years old, we began to develop quality smooth gaits on cue. Quality smooth gaits include relaxation of mind and body, a consistent rhythm in foot falls, a head nod in timing with the hind leg steps, evenness of strides traveling both directions, forward movement without rushing, and developing maximum depth of stride in flat walk and running walk.
Developing quality smooth gaits on cue is a journey of consistent training and progress over time.
2015: Showing dressage with my Tennessee walking horse, Makana.
2021: My naturally gaited Tennessee walking horse, Makana. We are riding bareback in her smooth gait, an even four-beat flat walk riding on a loose rein in balance and self-carriage.
In 2021, Makana turned 17. My naturally gaited Tennessee Walking Horse is well established in each quality smooth gait on cue: flat walk, running walk, flat-footed walk, saddle rack, and canter. Natural Smooth Gaits
Six helpful resources to develop a consistent smooth gait
1. Study books and videos demonstrating and explaining a natural smooth gait
Today, there are more resources available in training naturally gaited horses. One of my favorite books in learning smooth gaits as flat walk, fox trot, running walk, and saddle rack is, “Easy-Gaited Horses” by the late Lee Ziegler. This book describes how the smooth gaits sound and feel.
Some gaited horses are born more on the lateral side and pace can be their go-to gait. The best way to help a pacey gaited horse find a smooth gait is to help them find relaxation in mind and body, teach them bit acceptance and exercises that diagonalize the foot falls.
Here are a few great articles to break pace and develop a smooth gait:
3. Get good coaching from gaited dressage and gaited horsemanship instructors to develop smooth gait
I’ve been fortunately to get great coaching from gaited dressage instructors Jennie Jackson, Jennifer Bauer, and Larry Whitesell who traveled to my region. Jennie Jackson’s gaited dressage coaching has helped me establish connection and forwardness to improve quality smooth gaits on cue. Lessons with Jennie have helped me develop the feeling of right to better discern the quality of each smooth gait.
Riding at a Jennie Jackson Dressage as Applied to the Gaited Horse Clinic.
Jennifer Bauer and Larry Whitesell have helped me learn a natural and humane training philosophy which is based on classical French dressage. This method has helped me become a trusted leader in my partnership with my Tennessee Walking Horse and lead Makana into relaxation and balance.
Larry Whitesell demonstrating and explaining shoulder-in with me and Makana.
4. Professional training for the horse (and rider) for a smooth gait
Some people send their gaited horse to a professional trainer to develop a smooth gait. Then the horse comes home, and they wonder why the horse offers a smooth gait for the trainer and not for them.
Professional training is a great investment, as long as you learn how to ride your gaited horse in the same manner it was trained to achieve the same results. This way you and your smooth gaited horse will speak the same smooth gaiting language. Learning to ride well takes time to develop—especially if dressage is your language of choice.
It is the rider’s sense of feel, balanced riding position, and use and timing of aids (leg, weight, seat and rein aids) that communicate with the horse and indicate which smooth gait to perform. This is why it is important for the rider to develop the same skillset from the trainer who taught the horse to gait.
5. Record your riding to confirm your smooth gait
I like to capture video when I ride my gaited horse. Videos help me see what I felt from the saddle during my ride. There are a few affordable robotic cameras on the market, such as Pivo a that work with smart phones. Otherwise, you can set your Smart phone or video camera on a tripod to capture glimpses of your ride. (Unless you are fortunate to have a willing friend to record your rides.)
Throughout my ride, I like to comment about how moments feel on the video. This helps me confirm whether or not what I watch matches what I felt at that moment. I’ve uploaded hundreds of my videos on the Naturally Gaited You Tube channel. If you like what you see, please subscribing to the channel. Then you’ll be prompted for the next video when it is uploaded.
How dressage improves quality smooth gait over time. (Makana age 19.)
6. Enter your gaited horse in schooling dressage shows
Aside from lessons and clinics, my next favorite way to get feedback from a professional, is by entering my naturally gaited Tennessee Walking Horse in schooling dressage shows. These friendly and casual shows are a great way to get written feedback on the qualities of our training: relaxation, balance, rhythm, connection, forward movement without rushing, quality gaits, execution of the test requirements, my riding position, and the use and timing of my aids. The judge will provide comments on the score sheet. This helps me know what to work on when we get home. I find this feedback priceless.
When I learn of a schooling dressage show in my area, I contact the show manager and ask if I can enter my gaited horse using a National Walking Horse of America (NWHA) or Friends of Sound Horses (FOSH) gaited dressage test. Then I send my tests with the entry form.
Dressage is more than trot
Since 2007, I have learned from personal experience, trot is not required to gain the benefits of dressage. Dressage does not MAKE the smooth gaited horse trot. Dressage does not ruin the natural smooth gaits. In fact, dressage actually improves the quality of smooth gaits on cue. Indeed, dressage is more than trot!
My naturally gaited Tennessee Walking Horse at 20 years old at a piaffe.
If your gaited horse doesn’t have a smooth gait, now you have a few new ideas to try and reclaim your SMOOTH! None of them require a special bit or saddle, special shoes or hoof angles.
Sign up for the Naturally Gaited Horse eNewsletter and learn more about how dressage improves quality smooth gaits
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Naturally Gaited Tennessee Walking Horse performing the leg yield at a walk.
The leg yield is a great exercise for pacey gaited horses. The diagonal footfall of the leg yield break ups the lateral sequence of the pace for smooth gait.
A great way to introduce the leg yield is along the fence or wall of the arena.
In 1988, I was riding an off-the-track thoroughbred who knew nothing about dressage. Same as me. It was my first dressage lesson. Green rider, green horse is not usually the best combination. At least I was committed to regular dressage lessons.
Anyhow, during this first dressage lesson is when I was introduced to the leg yield. It is a great introductory exercise for horses and riders. It teaches the use and timing of the rein, leg, and seat aids of the rider to direct the horse in a forward, slightly angled direction in a rather straight position. For a green horse, it is an introduction to what the rider aids mean.
Introducing the leg yield along the fence
The leg yield is not a sideways movement, but a forward angled movement. A great way to introduce the leg yield is along the fence or wall of the arena at a slow walk. In a leg yield, the horse moves away from the leg cue and steps its hind leg under its belly towards the opposite front leg. Once the horse understands moving away from the rider’s lower leg alongside the fence, the leg yield can be introduced from the quarter line to the fence.
Rider cues to leg yield
Start by positioning the horse along the quarter line between your rein, seat and leg aids; encourage the horse to walk straight a few steps
Then apply and release the lower leg along the girth just as the horse’s hind leg is about to step forward. The timing of the rider’s leg cue is important to urge the horse’s hind leg to step forward under the belly toward the opposite forefoot.
Since horses tend to over bend the neck or lead with their shoulders as they learn the leg yield. Help the horse remain fairly straight from the bridle, shoulders and hips. Maintain contact with the outside rein to keep the head, neck and shoulder straight. If the horse gets stiff in the jaw, use your inside fingers and massage the rein to encourage a soft contact.
After the horse understands leg yield at a walk along the fence and from the quarter line to the fence with relaxation, rhythm, and balance, then introduce leg yield at a flat walk. Begin with a couple steps of leg yield at a flat walk and then proceed in a straight line. Increase the number of leg yield steps until the horse is able to travel gradually from the quarter line to the fence (or arena wall).
Video: Leg Yield at a Flat Walk
Naturally Gaited Tennessee Walking Horse performing the leg yield at a flat walk.
I hope this is helpful. Let me know your thoughts by sending a message.
If you, like me, weren’t born with “skinny genes,” but still have a deep love for your horse and its well-being and a commitment to responsible riding, then this post is for you.
Here are five myths commonly associated with round-shaped riders.
What is an “Overweight” Rider?
By Jennifer Klitzke
A University of Minnesota extension study states that a light riding horse is able to carry an average of 20% of its ideal body weight. That’s roughly 200 lbs. for a 1,000 lbs. horse. This study indicates many circumstantial factors and considerations, such as the horse’s confirmation, fitness level and bone density; the rider’s fitness, balance, and riding skill; the duration of the ride and how strenuous the ride is for the horse; saddle fit; and regular farrier and vet care.
Sadly, there are many individuals out there who take pleasure in shaming riders who don’t fit the mold of thinness. I’ve encountered them. Their focus is misplaced, with the attention directed towards the round-shaped rider, when in actuality should be on the concept of being “overweight” from the horse’s perspective. Let’s delve into this topic further.
Just what is an overweight rider?
Let’s explore this question while debunking five common myths associated with riders, like me, who didn’t inherit skinny genes.
Myth #1: All overweight riders are fat.
False. Overweight means the total weight on a horse’s back that exceeds the amount the horse is able to comfortably carry for the duration of the ride.
Overweight means exceeding 20% of the horse’s ideal body weight even if you are thin. Being tall and/or muscular can put your weight over the 20% thresh hold
Overweight means exceeding the duration your horse is able to comfortably carry you, whether you are under, at or above the 20% thresh hold
Overweight means riding too small of a horse for your load bearing capacity with saddle and tack
Overweight means over taxing your horse beyond its load-bearing ability, whether you are thin, heavy, tall or muscle bound
Basically, all riders are equally responsible for the horse’s welfare.
Myth #2: All round-shaped riders are too overweight to ride horses.
False. Just because a rider isn’t “thin” does NOT mean their load bearing capacity (body weight plus tack) exceeds 20% of their horse’s ideal body weight.
Heavy riders can be under the 20% of their horse’s ideal body weight. Thin riders can exceed 20% of the horse’s ideal body weight. The point is, thin or heavy, are we being mindful of the horse’s well-being and comfort?
Myth #3: All round-shaped riders are unbalanced.
False. Just because a rider isn’t “thin” does NOT mean the rider is uneducated and unbalanced. Conversely, just because a rider is thin, does not make them an educated and balanced rider.
It’s a common misconception that a rider’s weight directly correlates to their education and balance. However, this is far from the truth. Have you ever ridden a horse that was used to teach children how to ride? Did you notice the hard mouth? Horses develop hard mouths when riders pull on the reins to maintain their balance. These children often weigh only 5-10% of the horse’s weight, yet they inadvertently cause harm to horses by using their mouth to steady themselves.
The key takeaway here is that an unbalanced rider, of any size, can cause harm to the horse. Instead, the goal needs be to becoming a conscientious, educated and balanced rider, making it easier for the horse to carry the load. So, let go of the misconception that a rider’s body shape defines their riding ability, and focus on developing riding skills for the benefit of the horse’s comfort and well-being.
Myth #4: All round-shaped riders are abusive towards horses.
False. Abuse towards horses is not exclusive to round-shaped riders. If your horse is struggling to carry you, whether you are thin, round-shaped, tall or muscle-bound, and you continue to ride without considering the horse’s well-being, this is abusive. Being a responsible rider means you prioritize your horse’s well-being and comfort above your riding pleasure.
As responsible riders, we need to ask ourselves important questions:
Is my horse comfortable being ridden? If not, am I exploring all possible solutions to increase their comfort, such as veterinary care, dental care, chiropractic care, hoof care? Am I checking saddle fit, making bridle adjustments, making bit changes, considering my horse’s fitness level, age, diet, and need for supplements?
Am I putting my horse’s needs ahead of my riding wants? Am I adjusting the length of my ride to the fitness, age and ability of my horse? Am I offering plenty of rest breaks through each ride and rewarding my horse for every good effort? Is my horse as refreshed at the end of the ride as my horse was at the beginning of the ride? Am I riding my horse hard on the weekends when my horse isn’t in shape? Am I riding my older horse with expectations that my horse should perform like it did as a five-year-old?
Am I taking my horse out for hours on the trail without considering whether my horse is fit enough? What about the next day? Am I doing it again without considering how sore my horse is from the day before? This has nothing to do with a rider’s body shape and everything to do with a lack of awareness and/or respect to the horse.
Does my horse come to me or walk away when I show up for a ride? This is a telling sign of how comfortable a horse feels.
Am I an efficient load for my horse to carry? Do I take regular lessons from a professional instructor to learn how to be a balanced rider, developing core strength, and use my thighs to distribute my body weight instead of sit on my horse’s spine?
Is my horse relaxed during my ride? If not, do I help my horse find relaxation before I continue riding?
Does my horse understand the language I speak through the use and timing of my rein, leg, seat and weight aids? Am I consistent in my communication with my horse so that my horse knows what I am saying? Am I willing to take regular lessons with a professional instructor to improve our communication?
Being round-shaped or thin doesn’t determine whether a rider is abusive towards their horse. It’s our actions, consideration for our horse’s well-being, and commitment to their comfort that truly define us as responsible riders.
Myth #5: All round-shaped riders are unfit.
False. This is far from the truth. Being thin does not automatically equate to being fit, just as being round-shaped does not automatically mean being unfit. Fit and thin are not interchangeable terms. A round-shaped rider can possess excellent balance, core strength, and distribute their weight effectively along their thighs, making them an efficient load for their horse to carry during a responsible and humane ride. A thin rider can be unbalanced and an inefficient load for the horse to carry.
Whether thin or not, all riders need education to become fit for riding and a balanced rider.
Me? I am fit to ride horses, yet I am not thin or tall. Would I like to be thin? Of course! Would a genetically thin person want to be round-shaped? Thin isn’t in my DNA, just as tall isn’t in my DNA. I come from a short and stocky Scandinavian heritage. Does this mean I shouldn’t responsibly ride horses while thin, tall, muscle-bound overweight riders do?! I think not.
Skinny genes just don’t run in my family’s DNA.
I have gone to great lengths to be thin. Fifty-plus years later, nothing has made me thin (or tall).
But I am diligent to change what I can: pursue education, become the best rider I can be, and be mindful of my horse’s welfare and our happy partnership.
I hope this is helpful. Let me know your thoughts by sending a message.
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