All posts by Jennifer Klitzke

"Dressage is more than trot...and the saddle you ride in." -Jennifer KlitzkeSome traditional dressage riders believe that dressage is ONLY for horses that trot. While many gaited horse owners believe that dressage will MAKE their gaited horse trot. Others believe that teaching their gaited horse to trot on cue will ruin their horse's natural gait.I challenge these notions and here's why...Dressage improves the quality of natural movement in a horse whether it trots or has a smooth four-beat gait.Dressage is a French term for training the horse and rider. Whether a horse is ridden in an english or western saddle; whether the horse trots or gaits, it doesn't matter. Dressage brings about the best natural movement whether the horse walks, trots, flat walks, fox trots, or canters.Why? When a rider grows in knowledge, awareness, and application of a balanced riding position with the horse's center of gravity and applies effective use and timing of leg, rein, seat, and weight aids to communicate with the horse, dressage improves relaxation, balance, rhythm, connection, harmony, engagement, straightness, and collection. These elements improve the quality of movement and the full range of motion. For the naturally gaited horse, this means, smoother gaits, deeper strides, and a sounder horse for longer.Enjoy the journey!

Naturally Gaited Dream Ride

Balanced flatwalk

By Jennifer Klitzke

Have you ever had a special ride with your naturally gaited horse that you replay in your memory as one of those “dream rides”?

I had one of those “dream rides” today. Yes, it happened to be on a sunny, spring day after a week of gray rainy, no-ride days.

Never-the-less, my naturally gaited Tennessee walking horse, Makana, was as happy to be ridden as I was riding her.

She had all of the ingredients for a dream ride: naturally balanced, relaxed, and forward with rhythm, and a beautiful head nod. We had harmony in our engaged, deep striding even four beat flat-footed walk. Makana felt soft and supple; relaxed yet energetic, and maneuverable and responsive to my leg, seat, and rein aids. She felt lifted in the head, neck, and withers with each deep-swinging head nod in timing with her hind leg steps.

Her head and neck nod came from thoroughness and connection: from the hindquarters, through her engaged abdominals which lifted her back and whither to lighten her forehand and free her shoulders and through my seat and following arms and hands with her head and neck motion to the bit.

I embraced every euphoric moment.

Yet, the exquisite steps didn’t last forever. No worry, each time I felt Makana lose her balance, by beginning to rush or lean into my hands, I would regroup with a half halt by stilling my seat and lower back and squeezing my hands on the reins to slow down her tempo. Then I lifted her head and neck with my hands massaging the reins upward with my palms facing up. As soon as she was no longer leaning on the bit, I asked for engagement from behind and tickled her belly with my heels to lift her back in a frame of balance, and sent her off into a proud flat-footed walk.

What an amazing feeling!

Video: Flat-footed Walk

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