All posts by Jennifer Klitzke

"Dressage is more than trot...and the saddle you ride in." -Jennifer KlitzkeSome traditional dressage riders believe that dressage is ONLY for horses that trot. While many gaited horse owners believe that dressage will MAKE their gaited horse trot. Others believe that teaching their gaited horse to trot on cue will ruin their horse's natural gait.I challenge these notions and here's why...Dressage improves the quality of natural movement in a horse whether it trots or has a smooth four-beat gait.Dressage is a French term for training the horse and rider. Whether a horse is ridden in an english or western saddle; whether the horse trots or gaits, it doesn't matter. Dressage brings about the best natural movement whether the horse walks, trots, flat walks, fox trots, or canters.Why? When a rider grows in knowledge, awareness, and application of a balanced riding position with the horse's center of gravity and applies effective use and timing of leg, rein, seat, and weight aids to communicate with the horse, dressage improves relaxation, balance, rhythm, connection, harmony, engagement, straightness, and collection. These elements improve the quality of movement and the full range of motion. For the naturally gaited horse, this means, smoother gaits, deeper strides, and a sounder horse for longer.Enjoy the journey!

Contact & Connection with the Naturally Gaited horse

connection and contact with the naturally gaited horse


What is rooting? Why does a horse root? How can you help a gaited horse overcome rooting and establish bit acceptance, connection and contact? Here’s my story…

Contact & Connection with the Naturally Gaited Horse

By Jennifer Klitzke

Rooting. It is an evasion when a horse grabs the bit and pulls the reins out of the rider’s hands. When it comes to contact and connection, rooting is on the opposite end of the dressage galaxy.

While we have made steady progress in developing smooth gaits, my naturally gaited fox trotting horse, Lady, still prefers traveling on the forehand, disengaged from behind on a long, floppy rein. It’s been six summers and Lady is 15. Maybe I should just give up trying to establish contact. Riding on a long floppy rein is a lot easier.

Long and Low on the forehand
Here’s a great example of long and low on the forehand. I am riding my naturally gaited fox trotting horse Lady. While this is a nice stretch and helps the horse relax, it puts the horse on the forehand, the horse disengages behind, and the back remains hollow.

Lady has never been a fan of contact—even a light, one-ounce contact. She’s been this way ever since she came to my place six years ago. I don’t know her training history before she came from a sale barn. Lady is unregistered, and our best guess is that she is a Morgan/Tennessee walking horse cross. If anyone looked at Lady as a dressage prospect, they would have passed on by. She’s beautiful, but she is built ventro flexed, on the forehand with short legs and a long back.

Don’t give the horse something to pull against

Lady is a beautiful black trail horse deluxe. She doesn’t root on a long, floppy rein because there is nothing to pull against.

I like trail riding Lady on a long, floppy rein, too. Lady is bold and smooth and covers a lot of ground in a short time with her smooth gait. I can enjoy the beauty of God’s creation and my aging body won’t pay for it later. Only, riding on a long, floppy rein isn’t dressage. It is more like being a passenger than a two-way dialogue between horse and rider.

There is nothing wrong with riding on a long, floppy rein. It just a different way to ride. It’s like comparing apples and oranges. Yes, there are moments in dressage where the horse stretches down and out, but the horse is not predominantly trained in a long and low position without contact.

Dressage and the naturally gaited horse

While riding on a long, floppy rein may not give the horse something to pull against, it isn’t the solution to the real issue—bit acceptance and contact.

Instead, I think the answer lies in applying dressage with my naturally gaited horses. As a rider, it is my job to help my horse establish relaxation of mind and body, balance, rhythm, connection, engagement, straightness, collection, and harmony. Dressage requires a two-way, ongoing dialogue between me and my horse.

Dressage begins with me becoming a better rider through my hands and Lady’s mouth; my balanced riding position in line with the horse’s center of gravity; and the effective timing and use of my rein, leg, seat, and weight aids to help my horse improve her quality smooth gaits and range of motion.

Allowing my horse a good, long and low stretch is great, but I don’t train my naturally gaited horse like this the entire ride, especially if my horse is in a position that disengages from her hind legs, travels on the forehand, and hollows her back. Or if it feels like my horse’s center of gravity is like a boulder in her chest, ahead of my seat.

Contact & Connection with the Naturally Gaited Horse

Dressage requires connection and contact. Connection is an orchestration of the rider’s rein, leg, seat and weight aids to help the horse best utilize its entire body, tempo, direction, gait, and frame. The rider needs to help the horse engage its hindquarters to step under its body, activate its abdominal muscles to lift its back to a neutral position, and raise its wither so that the horse isn’t on the forehand. Rather, that the horse learns posture and balance to carry its weight on all four legs.

Contact isn’t forcing head set by pulling back on the reins, nor is it a tight and constant grip of the reins with the horse’s mouth. Rather, contact is a gentle invitation to relaxation of the lower jaw and mouth which has a way of relaxing the entire body and back. Contact can direct the horse into chest posture and balance. Contact is an ongoing dialogue with the fingers and the horse’s mouth; asking and releasing when the horse responds. The horse accepts an even, steady, light contact with both reins AND that the rider learns to follow the natural head and neck motion of the horse with relaxed shoulders, arms and hands. Contact is a two-way partnership between the rider and horse.

Contact is when I begin encountering rooting behavior with Lady.

What causes rooting & how do you overcome it?

Each time I encounter a training challenge, I return to the learning lab and explore what’s missing in my dressage. How can I be a better rider and communicate better with Lady to work through this rooting reaction to connection and contact?

I have read so many perspectives about why horses root and how to overcome it.

Horses root for many reasons, such as:

  • A heavy-handed rider that pulls back on the reins and causes pain on the horse’s tongue; the horse roots because it hurts; the horse roots to escape the pain
  • An inexperienced rider hangs onto the reins to keep their balance; often school horses encounter this and they root because it hurts; the horse roots to escape the pain
  • A tense or stiff rider that doesn’t follow the horse’s natural head and neck motion; the horse roots because it hurts; the horse roots to escape the pain
  • A harsh or improperly fitting bit that causes pain; the horse roots because it hurts; the horse roots to escape the pain
  • Teeth that need a float or dental care; the horse roots because it hurts; the horse roots to escape the pain
  • A poorly fitting saddle; the horse roots because it hurts; the horse roots to escape the pain
  • A horse that is not fit enough to do the work that is being asked; the horse roots because it hurts; the horse roots to escape the pain
  • A horse that has learned that rooting can get out of working; rooting becomes a bad habit

Ways to help the horse overcome rooting are:

  • Having a vet evaluate if the horse has a physical pain issue in its mouth or body
  • Riding with a properly fitting saddle and a comfortable bit
  • Following the natural head and neck motion of the horse with relaxed shoulders, arms and hands
  • Teaching the horse how to taste the bit and relax the jaw as taught by Classical French Dressage Masters Philippe Karl, Jean Claude Racinet and others, first in-hand and then from the saddle
  • Teaching the horse lateral exercises such as the shoulder-in, shoulder-out along the fence, haunches in, pivot the fore, first in-hand and then from the saddle
  • Not giving the horse an opportunity to pull by releasing the reins before the horse roots and then encouraging engagement from the hindquarters
  • Helping the horse decide that connection and contact are enjoyable by encouraging every positive effort
  • Taking the time needed for the horse’s progress instead of imposing expectations
  • Mixing up a riding session to keep it interesting for the horse
  • Trying different snaffle or mullen mouth bits: thinner bits or hollow mouthed bits; bits with a lozenge or French link bits; different flavored bits like sweet copper, German metal, Happy Mouth, or rubber bits

My theory about why Lady roots

I’ve ruled out physical causes due to dental care, body pain, saddle fit, and heavy hands. What could be causing Lady’s rooting behavior?

Lady loves to travel with her nose to the ground and on the forehand. In this posture, she disengages behind and travels with a hollow back. She roots to put herself in this position. It’s what she knows. It’s how she’s built. It’s easier for her. It’s even smooth and it’s great on the trail, but it’s not dressage. And she stumbles a lot in this position which isn’t safe for the rider.

While a few steps of long and low stretching is good, I don’t like to train my horses to be on the forehand, disengaged from behind (not stepping deep under the body), and getting hollow in the back. Lady is being ridden in a Dr. Cook bitless bridle.

Contact is when I follow her natural head and neck motion in her easy gaits with an even, steady, one-ounce contact with relaxed shoulders, arms and hands on both reins. Lady will take a few relaxed, smooth, balanced steps and then she will draw her nose to her chest and yank at the reins. 

Since Lady came to my home with a rooting issue and six years later at the age of 15, still has one, I have to focus on the good moments between each yank instead of thinking that each yank means no progress has been made. 

Then there is connection which asks Lady to engage her hindquarters to step under her body, activate her abdominal muscles to lift her back, and find balance to carry her weight on all four legs. This challenges her habit of disengaging her hind legs (traveling more behind her tail than stepping under her body) and pushing her weight onto the forehand.

Engaged relaxed balanced fox trot in connection with rhythm and contact
Here’s Lady ridden in a Dr. Cook bitless bridle showing an engaged, relaxed, and balanced fox trot in connection with rhythm and contact.

I am a chronic chair sloucher. It is hard for me to change my posture. I have to WANT to change my posture and re-position my body to make it happen.

Lady loves to be a trail horse. Does Lady want to change her posture? I think she argues about it by rooting to avoid engaging, using her abdominal muscles to lift her back, carrying her weight on all four legs, and accepting an even, constant, one-ounce contact with the reins.

In my opinion, Lady isn’t objecting only to the contact. She is objecting to re-posturing her body out of her habit and preference. She would rather disengage from behind and carry her weight on her forehand with a hollow back and no contact than be in balance.

So why don’t I just let Lady be a trail horse?

The reason I encourage Lady to adjust her posture is for her long-term soundness. If Lady develops balance, relaxation and flexibility she will be sounder longer than she would if she continues to travel with a hollow back and on the forehand.

Dressage will benefit her body so that she will be a sound horse longer. Connection is so important for Lady to develop engagement so that she steps deeper under her body, activates her abdominal muscles to lift her back to a neutral position, lift her withers so that she carries her body mass more equally on all four legs instead of disengaging behind and traveling on the forehand with a hollow back.

Contact is important between horse and rider for communication, relaxation of the lower jaw, and softness.

My approach with Lady using dressage

Being a good student of dressage, I listen to my horse, do my best to negotiate through an evasion, then seek answers when I am stumped. 

So, knowing what I know now about rooting, Lady’s conformation, Lady’s preferences, and dressage. How do I proceed? Do I quit trying to develop a two-way relationship with Lady and just ride her like a trail horse on a long, floppy rein? Do I scrap the idea of helping her improve her balance, rhythm, relaxation, connection, engagement, straightness, and collection to improve the quality of her naturally smooth gaits and prolong her soundness? Or do I tweak my approach?

I choose the latter.

Contact and connection strategies with a rooting horse:

  • I try different bits and bitless bridles: a thinner, double-jointed, full-cheek snaffle with a lozenge; a Dr. Cook bitless bridle; a hollow mouth sweet copper snaffle with a lozenge 
  • Become aware of my breathing and body relaxation and follow my horse’s natural head and neck motion with relaxed arms, shoulders and hands
  • Separate the timing of my rein aids from my leg aids; being conscious to not combine the stop and go aids at the same time
  • Hold my weight in my thighs so that I am not sitting on my horse’s spine and following my horse’s belly sway with relaxed hip joints
  • Not give my horse an opportunity to root by releasing the reins just before she draws her nose back and pulls, then encourage engagement from her hindquarters, and re-establish a light, following contact
  • Ensure my horse is tasting the bit and relaxing her jaw; if not, halt and encourage this relaxation before proceeding
  • Ride my horse in symmetry exercises, such as the shoulder-in, shoulder-out along the fence, haunches in, pivot the fore, and ride in a shoulder-fore position to develop flexibility, strength and suppleness
  • Help my horse decide that connection and contact are enjoyable by encouraging every positive effort with release, reward, and plenty of halt-stretch breaks
  • Mix up riding sessions to keep it interesting
  • After a few relaxed, smooth, balanced steps, transition to a halt before my horse roots. Then ask her to take the bit down to the ground as a reward
  • Erase all expectations and go at my horse’s timing not mine
Rein back engages the hindquarters activates the abdominal muscles to lift the back and raises the wither
The rein back engages Lady’s hindquarters, activates her abdominal muscles to lift her back, and it raises her wither. Lady is being ridden in a Dr. Cook bitless bridle.
Shoulder in on a square
Lateral exercises, like the shoulder-in on a square, have been working wonders with Lady. She is soft and light. She tastes the bit, engages from behind, lifts her back and withers, and carries her weight on all four feet. If her body becomes straight again, she roots, so I keep her in a shoulder-fore position. Lady is being ridden in a full cheek snaffle with a double-jointed copper lozenge. Shoulder in on a square and pivot the fore help Lady engage from behind, lift her back, get soft on the bridle and accept the contact.
Shoulder out along the fence
Shoulder out along the fence has really helped Lady. It is a great way to introduce lateral exercises. The fence and the rider’s aids guide the horse into the exercise.

To my amazement, all of the above worked wonders for Lady. The most surprising is that she preferred the super gentle hollow mouthed, sweet copper snaffle bit with a lozenge to the thinner bit with a copper lozenge and bitless bridle.

If you are on this gaited dressage journey, I’d love to hear from you. Contact us»

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Smooth and Quality Smooth Gaits

Quality smooth natural gaits

By Jennifer Klitzke

Experience quality smooth gaits: flat walk, running walk, fox trot or saddle rack through dressage!

There’s smooth and then there’s QUALITY smooth gaits

It’s like waking up to a couple scoops of pre-ground canned coffee brewed in a drip coffee maker, and then there’s waking up to freshly ground coffee brewed French press style. Both coffees will jump start your day, but the latter is a memorable experience. Why go back to pre-ground canned coffee after that! Right?

To me there is no comparison to riding a naturally gaited horse trained using dressage. Why settle for an untrained gaited horse with random, undefined gaits when I’ve experienced dressage to develop quality smooth gaits on cue: flat walk, running walk, fox trot, saddle rack, and canter.

Tennessee walking horse flat walk ridden bareback
Makana at 17 ridden bareback and barefoot at a flat walk.

There’s no greater feeling than the connected power and well-oiled looseness of a naturally gaited horse performing a smooth-running walk or the collected happy dance of piaffe on cue!

bareback piaffe
Naturally gaited Tennessee walking horse piaffe riding bareback.

Dressage benefits the majority of gaited horses 

Some naturally gaited horses, like the ones you see at breed shows, are blessed with astonishing movement, big strides, and huge head nods. Many say these horses are born to gait and easy to train the natural smooth quality gaits.

More common are naturally gaited horses that pace, have a hard, hollow trot, or not much overstride. Is there hope for horses like these? Will a pacey or trotty horse ever gait smoothly? Can a smooth gait improve in quality?

Dressage is for all riders and all horses, whether they trot or not!

Dressage teaches the rider to lead their horse into balance, relaxation of mind and body, rhythm, forward movement without rushing, connection, symmetry, and collection over time. The rider develops a balanced riding position and communicates with the horse through effective use and timing of leg, weight, seat and rein aids. This training develops a partnership of trust as well as the horse’s best possible quality smooth gaits and maximum range of motion.

Dressage develops quality smooth gaits, too!

At nine years old, my naturally gaited fox-trotting horse, Lady, came to my place. She had a dog walk on a loose rein and a hard, hollow trot when I took up contact with the snaffle bit. Lady has an inherent fox walk, fox trot, and flat walk, but it took time, patience, and consistent dressage to develop these smooth gaits on cue.

It also took time, patience, and consistent training to earn Lady’s trust with contact. I began with just an ounce of snaffle bit contact and increased the tempo of the dog walk to a fox walk. I focused on relaxation (of mind and body) and rhythm.

Once we established a consistent fox walk, I further increased the tempo just before she would trot to establish the fox trot. This process took several months of riding Lady 4-5 days a week for 45 minutes each time. We worked through issues that came up and finally experienced a natural smooth gait one step at a time.

Smooth gaits to quality smooth gaits

When Lady and I had established smooth gaits on cue, I further refined those smooth gaits to quality smooth gaits. We applied dressage exercises that produce balance, relaxation, rhythm, connection, engagement, symmetry, and collection. These exercises include circles, serpentines, figure eights, leg yield, pivot the fore, shoulder in, shoulder out, haunches in, rein back, transitions between walk and fox trot, transitions between the gait, and even teaching her a quality trot on cue!

Rein back engages the hindquarters and lifts the back and wither
Lady is being ridden in a Dr. Cook bitless bridle showing rein back on a loose rein. The rein back engages the hindquarters and lifts the back and wither.

I communicate with Lady through effective use and timing of my rein, leg, seat and weight aids as well as became aware of my riding position and its effect on her to develop more and more steps of “the feeling of right“.

Dressage will not transform Lady into astonishing rail class movement, but dressage will help Lady develop her best quality smooth gaits on cue. We are still working on more engagement, relaxation, and connection. I am thrilled with how smooth and fun Lady is to ride on the trail!

Naturally smooth foxtrot

What about the bumpy lateral horse?

Unlike Lady’s diagonal, hollow trot, other naturally gaited horses have bumpy lateral gaits like pace, cross canter, and lateral canter. Don’t be discouraged if your horse has one or more of these. Smooth gaits are inherent. It takes consistent training, patience, and time to bring them out. Dressage is a lifelong journey and a partnership with your horse.

trotting a gaited horse over ground rails helps break up pace
Trotting a gaited horse over ground rails helps break up pace.

Ground rails and teaching the lateral gaited horse how to develop a quality trot (on cue) are helpful ways to break up pace, cross canter and a lateral canter.

Video: Breaking Pace & Cross Canter Using Trot & Ground Rails

Over time dressage helps the naturally gaited horse develop its best quality smooth gaits and full range of motion. This means a deeper and longer stride length, breaking up pace with a smoother, more even four-beat gait, breaking cross canter to a truer three-beat canter, and breaking a hard, hollow trot to a smooth fox trot.

Beginnings of my dressage journey

In 1988, I was invited to watch my first dressage show at Brightonwood Farm where dressage trainer Kathy Theissen and her upper-level Morgan, Bullwinkle, danced to the rhythm of a musical freestyle. She led him through his full range of motion and gaits—collected to extended. I loved the partnership, harmony, connection, expression, joy, and beauty Kathy and Bullwinkle shared. This moving performance is one I will never forget. I came to the show unfamiliar with dressage and left deeply inspired to become a devoted dressage student.

Watching my first dressage show: Kathy Theissen riding Bullwinkle, 1988, inspired me to become a devoted dressage rider.

For 19 years I became an avid dressage student with trotting horses: riding 5-6 days a week year-round, taking regular lessons, attending clinics, reading books, and watching videos.

Then in 2007 my aging body desired a smooth gaited horse. That’s when I bought Makana, a three-year-old Tennessee walking horse. It didn’t take long to realize the smooth gaits would need to be developed through consistent training.

Fortunately, most of Makana’s gaits were smooth, except the stepping pace and lateral canter. Discerning which smooth gait was my biggest challenge. Then adding cues to each gait through effective use and timing of my reins, legs, seat and weight aids.

Smooth gaits and quality smooth

shoulder in
Work the shoulder in and haunches in at a slow balanced, collected walk. Don’t worry about depth of stride and head nod. There will be little to no head nod in the collected walk. Lateral exercises supple, strengthen and improve symmetry and the quality of natural smooth gaits.

After each smooth gait is established with a set of cues, I use dressage to improve the quality of her smooth gaits through exercises that help strengthen her body, like circles, leg yield, shoulder-in, haunches-in, pivot the fore, rein back, transitions between gaits and within gaits. These exercises help develop balance, relaxation, connection, engagement, straightness and collection which improve the quality of my naturally gaited horse’s smooth gaits.

Naturally Smooth Gaits»
Today Makana is able to express the following natural smooth gaits on cue and in balance and self-carriage on a loose rein: free walk, medium walk, flat walk, running walk and canter.

Makana is also able to perform the following natural smooth gaits on cue, in balance and with acceptance of an even snaffle bit contact: medium walk, flat walk, running walk, saddle rack, fox trot, collected walk, counted walk, piaffe, canter, counter canter, collected canter, and medium canter.

Developing quality gaits on cue doesn’t happen overnight. It takes time, consistency, and patience. Yet the time it takes develops a partnership. Every ride is a new conversation with my horse and every lesson, clinic, and dressage show is an opportunity to learn and grow. I can’t wait to experience what we will discover next!

Dressage begins with the rider learning a balanced riding position and communicating with the horse through effective use and timing of rein, leg, seat and weight aids to lead the horse into balance, relaxation of mind and body, rhythm, connection, forward movement without rushing, symmetry, and collection.

If you thinking about starting your dressage journey and need help, here are a few ideas:

  • Join a local dressage association to find local dressage instructors, clinics, and schooling shows open to gaited horses
  • Travel to a gaited dressage clinic
  • Host a gaited dressage clinic

Video: How Dressage Improves Movement in Naturally Gaited Horses

If you are on this gaited dressage journey, I’d love to hear from you. Please contact me, join the NaturallyGaited Facebook community, and subscribe to the NaturallyGaited YouTube channel.

Emotional Balance & its Effect on the Naturally Gaited Horse

emotional balanceBy Jennifer Klitzke

Emotional Balance

There are many ways where balance improves the quality of movement in the naturally gaited horse, such as leading the horse into a balanced posture and relaxation of the mind and body; developing a balanced riding position; and for me, maintaining emotional balance while riding.

I think back to the first few years with my dear, sweet trakehner/thoroughbred gelding Seili. I purchased him as a well broke, yet green five-year-old, and I was yet only two years into my dressage journey.

Adding to this, I thought riding would be a great way to release my stress. Wow, bad idea! It didn’t take me long to realize how sensitive Seili was; me being emotionally out of balance by taking my stress to the barn expecting my horse to make me feel better produced my worst rides ever!

Stress caused me to tense my body and riding position which translated tension and nervousness to my horse. When Seili was  nervous and tense, his movement became stiff and rushed.

When I wasn’t present with Seili, he didn’t have a trusted leader to guide him, so he took the leadership reins which caused reactionary fear in me. I felt out of control. Then the reactionary fear in me caused my nervous horse to further lack confidence that I could be trusted as a leader.

The harmonious dance that I had hoped for to relieve my stress was replaced with a two-way battle for preservation: I wanted to live through the ride where I felt out of control, and my horse was running away from me to find relaxation that I hadn’t provided.

I left the barn more stressed than when I arrived and I humbly realized that emotional balance is my responsibility, not my horse’s to resolve.

Seili at 29 barefoot and sound
Me riding Seili when he was 29: a lot happier duo with emotional balance!

It became clear how important it is to find emotional balance before I step foot into the barn and de-clutter my mind and heart. This way I can be present to lead my horse into a partnership of trust, harmony, balance, relaxation, rhythm, connection, engagement, straightness, and collection—all of which impact the expression and quality of movement whether the horse is naturally gaited or of the trotting variety.


If you are on this naturally gaited dressage journey, I’d love to hear from you. Please contact me, join the NaturallyGaited Facebook community, and subscribe to the NaturallyGaited YouTube channel.

Piaffe for the Naturally Gaited Horse

Naturally gaited horses can learn piaffe too

By Jennifer Klitzke

Classical French Dressage Master Philippe Karl believes that the upper level dressage movements like piaffe are not just for the talented horses. Average horses can learn them, too. (And so can naturally gaited horses!)

Piaffe for the Naturally Gaited Horse

Is it possible for the naturally gaited horse, particularily the naturally gaited Tennessee walking horse to learn advanced dressage movements like piaffe? Why not.

For the last few years I’ve been studying the work of Classical French Dressage Master Philippe Karl who believes that upper level dressage movements aren’t just for the talented horses. Average horses can learn them, too.

In addition, I have studied the book Another Horsemanship by the late Classical French Dressage Master Jean-Claude Racinet and the DVD Riding in Lightness created by his student Lisa Maxwell who is doing a fine job carrying on his legacy.

Together these teachings taught me the benefits of the counted walk and its impact on balance, softness, and engagement and empowered me to apply them to the naturally gaited horses I ride.

The photo above is me and Makana, my 14-year-old naturally gaited Tennessee walking horse who I ride barefoot and in a mild fulmer snaffle bit. We began exploring the counted walk a couple years ago and are now learning steps of piaffe coming from relaxed  engagement. It’s a dream come true to be learning piaffe and I never imaged that I’d be learning it on a horse that’s naturally gaited!

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Connection and the Naturally Gaited Horse

Connection and the Naturally Gaited Horse

Connection and the Naturally Gaited Horse

By Jennifer Klitzke

What does it mean to ride a naturally gaited Tennessee walking horse in connection? Did you know that connection can improve length of stride in the even four beat flatwalk and produce a better quality head nod in timing with the hind steps?

When I ride my naturally gaited Tennessee walking horse in connection at a smooth even four beat gait like the flatwalk, it feels like my horse and I are traveling as one in rhythm, relaxation, balance, forwardness and connection from her hindquarters through her body to a light snaffle bit contact. All this produces her best head nod at a flatwalk in even timing with her hind steps.

Did you know that rhythm, relaxation, connection, balance, and  forwardness are all elements of dressage to improve the quality of movement and won’t make your naturally gaited horse trot? It’s true!

For me, riding in connnection feels like riding that whole horse feeling!

On the other hand, when my horse and I aren’t in connection at a flatwalk, it feels like I am sitting in the middle of an independent front half and back half of a horse. Her back is hollow, she isn’t engaged from behind, her stride length isn’t deep under her body, she take short quick steps, she doesn’t feel light and soft on the bit, and her head nod is inconsistant and isn’t in timing with her hind leg steps.

The video below offers tips from lessons I have taken from my gaited dressage mentor Jennie Jackson. This video talks about riding the naturally gaited Tennessee walking horse in connection to improve the head nod in timing with the hind steps. I hope you find it helpful in your riding.

Video: Connection and the Naturally Gaited Tennessee Walking Horse

Thanks for watching. Stay connected by subscribing to the Naturally Gaited youtube channel and join our community on facebook.com/naturallygaited.