Tag Archives: barefoot tennessee walking horse

From Kindergarten to High School with Jennie Jackson

From Kindergarten to High School with Jennie Jackson
Jennifer Klitzke riding her naturally gaited mare Lady at a collected soft trot during a lesson with Jennie Jackson, pioneer of dressage en gaite.

By Jennifer Klitzke

Over the last 30 years I’ve ridden with lots of professional riding instructors—both local teachers and traveling clinicians—gaited and nongaited. No doubt, I wouldn’t be where I am today without quality instruction. My hope in attending each lesson and clinic is to learn new insights to help me become a better rider and communicate more effectively with my horses.

Gaited Dressage Legend Jennie Jackson is among my favorite instructors. She generously shares from her rich treasure chest of knowledge and decades of proven experience.

Since 2013, Jennie has imparted knowledge and pushed me beyond what I thought my horse(s) or I could do. She challenges us to the next level of difficulty—whether that is starting canter on a new horse, facing my fears, improving the quality of gait, or advancing to counter canter, simple changes, roll backs, and lateral exercises.

Lessons with Jennie have catapulted me and my horses to new heights quicker than any other dressage instructor (gaited and nongaited) I’ve ever ridden with in the 30 years I’ve been studying dressage.

June 2017 Jennie Jackson-flatwalk
Naturally gaited Tennessee walking horse flat walk.

Not only that, Jennie is a national gaited horse judge, and over the last four years she has helped me and my naturally gaited Tennessee walking horse, Gift of Freedom (Makana) develop and improve a head-shaking, deep-striding flat walk and running walk.

How it all began
In December 2012, I purchased Jennie Jackson’s DVD set with my Christmas money. Watching the DVDs, I was impressed to witness gaited horses moving in collection, engagement, and forwardness—working the lateral exercises in softness and suppleness. It amazed me that Jennie had trained her Tennessee walking horse stallion Champagne Watchout to the highest levels of dressage and performed before a live audience. These are two things that are extraordinarily difficult to do, and to date, Jennie is the only one in history to have accomplished both. Jennie Jackson is a Living Legend!

After watching the DVDs, I asked Jennie if she has held clinics in the Midwest. She hadn’t, so that’s when I organized the 2013 Jennie Jackson Dressage as Applied to the Gaited Horse Clinic and 2014 Jennie Jackson Dressage as Applied to the Gaited Horse Clinic in Minnesota.

The following years I flew to Tennessee to ride at a 2015 Jennie Jackson Dressage as Applied to the Gaited Horse Clinic, and I flew to Alabama to be Jennie’s working student in 2016.

This year, Jennie happened to be traveling through Minnesota on her way between clinics and that’s how this year’s lessons took shape. I had contacted nearly a dozen gaited riders who live near me to see if they would be interested in lessons. That didn’t work out, but no worries, Jennie gave me and my two naturally gaited horses, Lady and Makana, an inspiring and challenging education.

Lessons with Lady
Lady has been at my place for three years, and as of April 2017, she became my newly acquired naturally gaited horse. I have been thrilled with Lady’s progress this spring and summer and astounded with where Jennie took us in our lessons—moving from kindergarten to high school through connection, softness, lightness, balance, lateral exercises—and even canter under saddle!

Lady is moving more consistent in a light contact. She is more supple in her bending and is moving with more engagement in her easy gait.

Lady performing a collected soft trot working on lateral exercises for softness and suppleness.

To establish bend, suppleness, softness, and connection from the inside leg to the outside rein, we worked on lots of true bend and counter bend at a walk and collected soft trot. The soft trot is not a true two-beat diagonal gait. It is an easy gait somewhere between the fox trot and hard trot—yet smooth to ride.

Hard trot
Trotting the gaited horse on cue has many benefits. For Lady, it develops rhythm, engagement, forwardness, and strengthens the top line muscles.

We also worked Lady in a 20-meter circle and along the rail in a forward hard trot between true and counter bend. This improved her engagement and straightness.

Lady cantering right lead
Jennie cantering Lady in her right lead.

Then we introduced canter under saddle. I had been working on canter with Lady in the round pen over rails to break the cross canter. During our lesson, Lady was taking her left lead clean, so we focused on her right lead. Instead of cross cantering, she kept choosing counter canter. With Jennie’s determination, coaching and perseverance, Lady began taking the right lead canter in all three lessons.

I am thrilled to have both of my gaited horses cantering now thanks to Jennie.

Lessons with Makana
It’s been a few years since Jennie had last seen my naturally gaited walking horse Makana, and I was so happy that she confirmed the path we have been on in our flat walk. Not only that, but Jennie helped us increase the tempo while maintaining the reach and depth of stride.

How? Straight lines.

shoulder in
Me and Makana work the shoulder in and haunches in at a slow balanced, collected walk. It felt weird riding so slow without a head nod, but that’s normal for the collected walk. These exercises supple, strengthen, straighten, and balance the horse and will improve the flat walk.

There’s a place for dressage exercises on a circle with lateral movement and a place for straight lines to develop show gait. This was a light bulb moment for me.

We began our lessons with shoulder in, haunches in, true bend and counter bend on a 20-meter circle in a slow, short-strided, collected walk. Did you know that a collected walk is slower, has very little to no head nod, and the stride depth is shorter and more under the body? Yes, it’s true! If you are like me, and get used to flat walk with a head nod and deep stride, the collected walk feels very foreign, but there is a place for it in the lateral exercises and it will only improve the flat walk.

Circles and collected lateral exercises are wonderful for breaking up pace, suppling and softening the horse, and getting the horse to listen to the inside leg to the outside rein, but working on a circle limits the range of motion that only a straight line can offer. 

Makana flat walk
Me and Makana enjoying the ultimate glide ride! Once a horse has an even four beat gait, rail class show gait is best developed on straight lines to put the horse in a position conducive for maximum depth of stride.

Once a horse has an even four beat gait, rail class show gait is best developed on straight lines for maximum depth of stride.

That’s when we moved to the rail and allowed Makana freedom of her head and neck in a medium walk with maximum depth of stride. As soon as she became even in her rhythm and timing of her head nod, we increased the tempo while maintaining the deep steps. Alternating a tickle with my heel as Makana’s hind foot stepped under her body helped deepen her stride. If she rushed off in short strides, I applied a half halt and I would start again.

When Makana found her rhythm and timing at a faster tempo with deeper strides, I just enjoyed the glide ride.

In addition to working on show gait, Jennie coached us on canter, halt, rein back, canter transitions and canter, counter-canter transitions. Riding the canter on a 20-meter circle in counter bend before executing the counter canter really helped hold her together through a full figure eight and back to the true canter lead.

To book Jennie Jackson for lessons, clinics, and expos, visit www.4beatdressage.com.

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Harmony, Trust and Partnership

Harmony Trust and Partnership

By Jennifer Klitzke

For years I couldn’t understand why my horses didn’t want to go forward. It wasn’t until I stumbled upon a new approach to dressage that I realized I had been cueing my horse with the gas pedal and brake pedal on at the SAME time. Meaning each time I drove my horse forward with my seat and legs I was saying “go” and into closed hands I was saying “stop”.

Harmony, Trust and Partnership for the Naturally Gaited Horse

I thirsted for harmony, partnership, trust, and lightness in my riding with my naturally gaited horses. I was tired of setting agendas for my horses and ready to invite them into a dance of relaxation, balance, harmony, and lightness—where ever that would lead us.

If you’ve been following Naturally Gaited for the last couple years, you know that classical French dressage has become my language of choice between me and the naturally gaited horses I ride.

I’ve been studying books and DVDs by Philippe Karl, a DVD by Lisa Maxwell (a student of the late Jean Claude Racinet, who studied the work of Francois Baucher), taken lessons from Susan Norman, a student of both Philippe Karl and Jean Claude, and have taken lessons from Nichole Walters, a student of Philippe Karl.

French Dressage vs. German Dressage

The Classical French Dressage methods and philosophy I have been learning have rocked my world! Notably because they sharply contrast with the German dressage training I had studied for the preceding two decades. It wasn’t the contrast that made me switch. It was the truths in contrast that made me switch. Just watch the DVD: Classic vs. Classique where the French and German theories go head-to-head in a convincing demonstration.

Separating the Stop Aids from the Go Aids

For me, I couldn’t understand why my horses didn’t want to go forward. It wasn’t until I began to open my mind to the French Dressage method that I realized I had been cueing my naturally gaited horse with the gas pedal and brake pedal on at the SAME time. Each time I drove my horse forward with my seat and legs into closed hands was like saying go and stop at the same time. It is no wonder my horse needed more and more leg and seat to go forward.

The French Dressage philosphy taught me to separate my stopping aids from my going aids. This cured the problem I was having with my naturally gaited horse who didn’t want to go forward. She became light and forward with very little leg and seat aids when I began to separate my leg and seat aids from my rein aids. I also began to follow the motion of her head nod with relaxed arms and fingers.

We vs Me creates Partnership

I also thirsted for harmony, partnership, trust, and lightness with my horses and in my riding. I was tired of “making” my horses DO and GO, and I was ready to “ask” my horses to dance with me—even if it meant giving up my show agenda of moving up to the next level each year. It was time for me to slow down and enjoy the dance with my horses. When my horse is ready to move up a level, then that’s when we move up—no sooner.

I also changed my motivations about showing. If I was able to maintain the same harmony, trust, and partnership in the show ring as we have at home, then I’d be open to showing. If showing becomes a demand at every letter, then it was time to recheck my motives.

I hope to get out to a show or two this summer (virtual and/or live). If not, I will for sure enjoy riding my horses with harmony, trust, and partnership.

Video: Separating the gas pedal from the brake pedal

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Life and Random Thoughts about Gaited Dressage

By Jennifer Klitzke

I hope your Spring is off to a great start! After six month of winter’s dark and cold, I was chompin’ at the bit for sunshine and ridable terrain to be back in the saddle and riding my naturally gaited Tennessee walking horse Makana and my friend’s naturally gaited fox trotting mare Lady. Thankfully, I’m back riding again. I hope you are, too!

Lady FoxtrotFirst off, I have great news: Lady, my friend’s fox trotting horse, has officially become a part of my family. Lady has been boarded at my place the last three years and my friend feels called to other time commitments in life. She has turn Lady over to my care, yet she knows that any time she wants to ride, she is more than welcome!

At the same time, due to my aging parents, a full time job, and the demands of life, I had to part with my once-in-a-lifetime Spanish Mustang, Indy, who had made many of my life-long dreams come true: cross country, endurance, stadium jumping, trail obstacles, dressage, and more.

NAWD Basic 3 stretch trot 1
My Spanish Mustang Indian’s Legend showing a jog by allowing the horse to stretch its head and neck out and down.

Indy was missing our continual weekend adventures that I no longer had time for during my Dad’s grave illness and my Mom’s need for our assistance on the weekends. I sold him back to the owner I purchased him from. Now Indy is living the trail horse dream. Here’s Indy’s story»

050617 Lady jumpingOn the bright side, Lady possesses many of Indy’s brave qualities, so who knows, after we get her canter consistently well established on both leads, maybe we’ll be back competing at these same events–only as a gaited duo!

So, now that it’s been Spring, here’s what’s been percolating since I began riding…So much of my focus has been on the depth of stride from behind. Lately I’ve been contemplating about fore stride in addition to the hind leg stride as it relates to head nod, throughness, connection, balance, engagement, rhythm, shoulder scope, and following the horse’s natural movement with my arms and seat.  It seems the more I follow the natural motion of the horse, the more freedom I’m seeing in the horses I ride.

Video: Naturally Gaited Tennessee Walking Horse Flat Footed Walk

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Naturally Gaited Dream Ride

Balanced flatwalk

By Jennifer Klitzke

Have you ever had a special ride with your naturally gaited horse that you replay in your memory as one of those “dream rides”?

I had one of those “dream rides” today. Yes, it happened to be on a sunny, spring day after a week of gray rainy, no-ride days.

Never-the-less, my naturally gaited Tennessee walking horse, Makana, was as happy to be ridden as I was riding her.

She had all of the ingredients for a dream ride: naturally balanced, relaxed, and forward with rhythm, and a beautiful head nod. We had harmony in our engaged, deep striding even four beat flat-footed walk. Makana felt soft and supple; relaxed yet energetic, and maneuverable and responsive to my leg, seat, and rein aids. She felt lifted in the head, neck, and withers with each deep-swinging head nod in timing with her hind leg steps.

Her head and neck nod came from thoroughness and connection: from the hindquarters, through her engaged abdominals which lifted her back and whither to lighten her forehand and free her shoulders and through my seat and following arms and hands with her head and neck motion to the bit.

I embraced every euphoric moment.

Yet, the exquisite steps didn’t last forever. No worry, each time I felt Makana lose her balance, by beginning to rush or lean into my hands, I would regroup with a half halt by stilling my seat and lower back and squeezing my hands on the reins to slow down her tempo. Then I lifted her head and neck with my hands massaging the reins upward with my palms facing up. As soon as she was no longer leaning on the bit, I asked for engagement from behind and tickled her belly with my heels to lift her back in a frame of balance, and sent her off into a proud flat-footed walk.

What an amazing feeling!

Video: Flat-footed Walk

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Video: How Dressage Improves Quality Smooth Gaits

In this video, I show how dressage improves smooth gaits with my naturally gaited Tennessee walking horse.

No heavy shoes, pads or chains. No harsh bits or long spur. No artificial enhancements or gadgets.

I trained my barefoot Tennessee walking horse using dressage.


I hope this is helpful. Let me know your thoughts by sending a message.

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