I took my barefoot, naturally gaited Walking horse, Gift of Freedom (Makana), to our first schooling dressage show of the 2015 season on May 2 at Wildfire Farms in Maple Lake, MN. You couldn’t ask for better weather and a more organized show. Makana and I rode the new 2015 NWHA Training Level 3 and First Level 1 Tests among the 40 tradition dressage tests ridden — Intro through Third levels.
Free Walk
Getting to the show late with 30 minutes before our first ride was pushing it. Then my boot zipper broke. Rats! Now what?! Duct tape. Why, yes! So here I am dressed in my formal dressage outfit with duct tape wrapped around my left calf. I just had to laugh!
Canter
Makana and I were given five minutes to school in the arena before our test to get acquainted with the judge’s stand, the letters, and the flower boxes. She wasn’t so sure of the flowers wiggling with the wind, and I wasn’t so sure how well our rides would be since flowers were placed at most of the letters.
Halt
Before a couple dozen onlookers (including my first riding instructor of 12 years) I man handled Makana past the flower boxes. It wasn’t exactly the introduction to gaited dressage I had hoped to present to those who had never seen it (which included my riding instructor).
Then whistle blew for our test.
Down the center line we rode—determined, straight, and square. Makana snapped into dressage mode and seemed to forget about the dancing plants. She and I pulled off a remarkable Training Level 3 Test with a score of 68.2%. Even the judge was surprised after watching the difficulty we had just moments before.
Flat Walk
Twenty minutes later we re-entered the arena for our First Level 1 Test. Makana was a trooper. Her flat walk, lengthened flat walk, free walk, and canter work were terrific. Judge Jody Ely commented on how seamless our transitions were with barely noticeable cues. With her dressage background Jody said she knew firsthand how challenging it is as she has trained several TWHs and Missouri Foxtrotters.
Areas the judge pointed out where we can improve are for me to be more precise in my delivery of aids at the letters and help Makana be more consistent in her rhythm at a flatwalk.
I was tickled that we completed our First Level 1 Test with a score of 70.4%.
Video: NWHA 2015 Training Level Test Three
Video: NWHA 2015 First Level Test One
Thank you to Wildfire Farms for hosting this schooling dressage show at your beautiful facility and for accommodating gaited dressage. I hope there will be another!
No better way to discover “the feeling of right” than by riding a gaited dressage school master.
By Jennifer Klitzke
Blooming trees and sunny daffodils, friendly southern folks, and lots of gaited dressage learning experiences to apply with my naturally gaited Walking horse Makana.
March 20-22, 2015 was my third Dressage as Applied to the Gaited Horse Clinic with Jennie Jackson. Only this time I traveled to White Stables near Knoxville, Tennessee instead of hosting a clinic in my state. I thoroughly enjoyed time with my gaited dressage mentor and an early spring with daffodils and flowering trees in full bloom, plus no snow. (Well, not until I returned home!)
En route to the clinic I had to stop by and visit the legendary naturally gaited dressage stallion Champagne Watchout. Still wearing his winter fuzzies, he stood handsome for a picture!
The first two days of the clinic were held in the spacious outdoor arena where Jennie taught riders the importance of teaching their horses lateral exercises such as pivot the fore and leg yield.
It is easiest to teach lateral exercises to the gaited horses in hand before applying them from the saddle.
Both leg yield and pivot the fore are helpful in relaxing the horse’s back and break up pace to establish a natural four beat gait. The pivot on the fore is a great exercise to teach riders the coordination of inside calf to outside indirect rein which relate with the horse’s inside hind leg as it steps beneath its body and neck, shoulder, and outside fore. Once each horse and rider understood these exercises in hand, they mounted up and applied the exercises from the saddle.
By day two every horse and rider were catching on wonderfully to these new exercises. Then Jennie proceeded to coach them to establish forwardness, rhythm, relaxation, and depth of stride in medium walk and gait. Each time the horse began to pace or stiffen, Jennie asked the rider to turn the horse into the fence and leg yield until the natural four beat gait returned.
Leg yield breaks up pace to restore a natural four beat gait.
The more advanced dressage riders worked on canter departs from a shoulder fore position, as well as breaking up stiffness at a flat walk (or trot) using shoulder in and haunches in. (I say “trot” because there were a few non-gaited horses at this clinic in addition to us gaited folk.)
This dressage rider brought her fiance’s three-year-old TWH filly and got established in flat walk, running walk, rack and canter by day two!
On the second day Jennie demonstrated canter and counter canter; showed the difference between flat walk and running walk; demonstrated how shoulder in, haunches in, shoulder out, and haunches out at a flat walk break up tension and stiffness within the horse to make them soft and supple; and she showed us ways to lengthen the gaited horse’s depth of stride.
Contrary to popular belief, cantering the gaited horse actually improves the four beat gait while lateral exercises improve relaxation and suppleness.
Video: Jennie Jackson demonstrates cantering the gaited horse
Video: Jennie Jackson demonstrates how lateral exercises supple the gaited horse and improve depth of stride in the flat walk
The third day our group headed out to the trails to enjoy the beautiful 135 wooded acres surrounding White Stables.
Gaited horses and trotting horses riding together on a trail ride—who said it can’t be done!
What a great group of people I met in Tennessee. I couldn’t help but giggle at your friendly Southern accents, yet ya’all kept insisting that I was the one with the Minnes-O-ta accent!
Thank you to White Stables for opening your beautiful facility to host the clinic. Thank you to Ronance for lending your exquisite gaited dressage school master to me, and thank you to Mary and Sydney for taking photos of me while I rode.
For Jennie Jackson’s Clinic schedule or to book a clinic in your area, connect with Jennie on Facebook at Jennie Jackson Dressage en Gaite.
To me naturally gaited dressage is a humane method of training and communicating with a horse that brings about beauty and harmony, balance, rhythm, relaxation, and suppleness, which results in gait quality. It develops a connection of trust and respect between horse and rider, and as the relationship grows in trust, understanding, skill and refinement, the horse and rider transform into a wonderful dance partnership without the use of heavy shoes, big bits and spurs, and mechanical devices.
I took my naturally gaited walking horse Makana to North Run Farm for our last schooling dressage show of the season. We were the only gaited entry among trotting horses. I bring her to schooling dressage shows because I like to get feedback from a professional eye as to where we are at in our training as it relates to balance, rhythm, gaits, impulsion, submission, harmony, rider position and effective use of aids, and accuracy of the required movements. It helps confirm areas of improvement and areas we still need to work on.
At the North Run show several spectators were given an introduction to dressage as it applies to the gaited horse. After every two test rides, the arena opened for ten minutes of schooling, so Makana’s expressive head shaking movement was quite the contrast as we warmed up with the trotting horses! Many onlookers had never seen a gaited horse ridden dressage style, barefoot and in a snaffle bit (without mechanical devices, big bits, and heavy shoes). Plus, the SMOOTH ride was evident in comparison to the bouncy sitting trot.
Thanks to the fine coaching I had received from Jennie Jackson this summer, the dressage judge remembered us from last year and commented on how we had made a noticeable improvement. We placed 5th of 9 in Training Level with a score of 67% and 4th of 6 in First Level with a score of 68.966%.
A huge thank you to my wonderful husband who volunteered to film my rides. (Wow, I love that man!)
When your body can no longer endure the sitting trot, it’s time to discover dressage with a naturally smooth gaited horse!
Age-Defying Dressage with a Smooth Gaited Horse
By Jennifer Klitzke
H-X-F, extended trot along the diagonal. Oh, dread, my German warmblood Seiltanzer has never been smooth to sit, especially at the extended trot, and over the last twenty years both of us have aged. Each stride has become more dislodging, resulting in back pain, sagging breasts seeming to hit me in the face with each step, and sometimes “splash”—the loss of bladder control! What began as a beautiful dance between horse and rider has now become a losing fight with gravity.
Jennifer Klitzke riding her dressage gelding SeilTanzer (1998)
In 2007, I joined other aging baby boomers and retired from showing hard-trotting horses, but I didn’t want to give up riding, especially the beautiful dance of dressage.
This quandary introduced me to the bounceless stride of the Tennessee walking horse, and I have learned that I’m not alone. The naturally gaited horse industry has seen a continual climb in popularity. Tennessee walking horses, Missouri foxtrotters, Rocky Mountain spotted horses, Icelandics, gaited mules, Paso Finos, and Peruvian Pasos are among these naturally smooth-gaited horse breeds. Not only that, I was thrilled to learn that dressage actually improves the gaited horse’s quality of movement. The principles of dressage build balance, forwardness, relaxation, suppleness, and engagement and can actually transform a pacey horse into a smooth four-beat gaiting dance partner.
Below are seven ways that improve the naturally gaited horses’s quality of movement using the dressage I learned while riding trotting horses. These humane training methods transform an ordinary ride into a beautiful dance—even while on the trail!
1. Equipment: Just as it is no fun to dance with ill-fitting shoes, an uncomfortable horse is an unhappy dance partner. Dressage methods are best applied by riding with a well-fitted snaffle bit that encourages salivation and acceptance of the bit, as opposed to bits that are engineered for pain avoidance. Remember to loosely adjust the noseband so your horse is able to open its mouth. A tight noseband causes undue tension that can show itself throughout all dance expressions. Equally important is a properly fitting saddle that does not pinch the shoulders or touch the wither while you’re in the saddle.
2. Stretching: Begin and end each dance session with 5-10 minutes of a forward moving without rushing walk. Follow your horse’s side-to-side belly sway with your hip joints and encourage your horse to maximize each step deep under its body. Allow the horse to stretch forward, down and out. Stretching helps lengthen the naturally gaited horse’s topline muscles and increase a horse’s stride. Be careful that the horse’s poll doesn’t drop below the wither height, or the gaited horse will begin to fall onto the forehand. It is important that the gaited horse remains balanced over all four feet during the stretching.
This is a great example of a neck extension at a flat walk. My horse is engaged, lifting her back, stretching out, forward, and down at chest level with an even snaffle bit contact.
3. Transitions: Choreograph every ride with changes of direction and tempo to keep it interesting for you and your horse. Walk-canter-walk, halt-rein back-walk, and transitions from walk to gait and back every 5-10 steps are great exercises that will improve the communication between you and your equine dance partner. Transitions can improve your horse’s responsiveness and graciously establish you as the dance leader.
4. Bending: Twenty-meter circles, three-loop serpentines, spiraling in and out of a circle are great exercises to encourage a horse to bend through the neck, shoulders, and rib cage, and teach the horse to step deeper under its body with its hind leg steps. Bending exercises improve a horse’s balance, lighten the forehand to carry itself more poised, and help smooth out a rough gait.
Lateral exercises at a slow collected walk help the naturally gaited horse develop balance.
5. Lateral exercises: Zig-zag leg yields, turn on the haunches, turn on the forehand, haunches-in, shoulder-in, and half-pass are great dance moves to bring balance, supple and soften your gaited horse and build trust and communication between you and your dance partner.
6. Canter: It is a popular myth that cantering a gaited horse will ruin its naturally smooth four-beat gait. On the contrary, I have found that cantering actually improves my Walking Horse’s flat walk and running walk. Cantering up hills, in 20-meter circles, over ground rails and small jumps will strengthen your horse, lengthen its stride, and break up a pace.
First level tests require 15 meter canter circles, working canter, canter lengthenings, and one loop counter canter serpentines.
7. Become a dressage student: There are a few gaited horse trainers and nationally known clinicians who I have learned from who use dressage methods to improve the movement of naturally gaited horses. Among them are Jennie Jackson, Larry Whitesell and Jennifer Bauer. Audit their clinics, read their books, and watch their training DVDs or find an open-minded traditional dressage instructor to help you and your gaited horse get started with suppling exercises.
Dressage will help your gaited horse improve its smooth, four-beat gaits, and make your horse a more mentally connected dance partner. Dressage with your smooth gaited horse can transform even a ride on the trail into a beautiful dance you can comfortably enjoy well into your senior years.
There’s a convergence in the gaited horse world: the traditional dressage rider of non-gaited horses who later applies what they have learned with the naturally gaited horse and the rail class rider who later learns dressage.
The former describes me. While dressage has been helpful in developing relaxation, balance, rhythm, connection, symmetry, engagement, and collection, I’ve learned so much from rail class riders in developing smooth gait like the flat walk and running walk.
Dressage and rail class equitation: A convergence of two worlds for the naturally gaited horse
By Jennifer Klitzke
I believe gaited dressage has an equation: dressage + gaited equitation = gaited dressage. While each paradigm offers unique perspectives about what is considered “correct,” converging these perspectives adds value to the equation of what is considered “correct.” One perspective without the other is only half the gaited dressage equation.
Riders like me who have spent decades studying dressage on non-gaited horses understand the importance of relaxation, rhythm, connection, balance, impulsion, straightness, collection, harmony, a balanced rider position, and effective use and timing of aids. These elements of dressage help to develop the horse’s full range of motion in each gait equally in both directions to produce an ambidextrous horse. Learning this can improve the quality of smooth gaits for the rail class.
Dressage was the only language I knew when I acquired Makana, my first naturally gaited horse. While the elements of dressage are the same, I quickly learned differences in how gaited horses and non-gaited horses move. What is “correct” with a non-gaited horse, is not the same as what is “correct” with a smooth-gaited, head-nodding Tennessee walking horse. Makana’s flat walk and running walk have a distinctly different “feel” than that of the trot and trot lengthening of my Trakehner/Thoroughbred.
Rail class show riding my six-year-old Tennessee walking horse in a curb bit with contact.
Riding a head-shaking horse in flat walk has a distinctly different “feel” as compared to the stationary headset of a trotting horse. To help me navigate this difference, I’ve needed the perspectives and knowledge from Tennessee walking horse rail class riders to help me develop “correct feel” with contact. And I’m still learning.
On the other hand, many rail class riders are new to dressage with their naturally gaited horses. They know how to ride a head-shaking horse in a shank bit yet need to learn how to teach the gaited horse how to accept and follow a light contact using a snaffle bit. They need to understand the benefits of helping the horse relax the mouth, lower jaw and poll to release braces that cause pace and step pace.
Rail class riders know how to keep their gaited horse in a consistent four-beat gait along a straight line along the rail. Yet they need to learn how to help their horses establish bend and balance in the gait through circles, lateral exercises, transitions within and between gaits. They need to learn how to develop the full range of walks, smooth gaits, and canters with symmetry to develop evenness traveling clockwise and counterclockwise. They need to learn the effective use and timing of aids to communicate consistently with the horse. This takes time and a knowledgeable dressage rider for the gaited horse to learn this.
How dressage improves quality smooth gait over time. Pictured is the same horse at the age of 19.
Dressage is a journey, not a destination. Dressage is challenging no matter how long you’ve been at it, and riding a smooth gaited horse consistently well is challenging. The goal is improvement, not perfection.
Whether you are a rail class rider beginning to learn dressage or a non-gaited dressage rider applying dressage with a naturally gaited horse, be part of the full equation: dressage + gaited equitation = gaited dressage. You have something to offer (and learn from) the other half!
I hope this is helpful. Let me know your thoughts by sending a message.
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