Tag Archives: gaited horse training

Introducing the Gaited Trail Horse to Dressage

Introducing the Gaited Trail Horse to Dressage

By Jennifer Klitzke

There’s nothing like trail riding on a naturally gaited horse. You can cover lots of ground and your body won’t pay for it later. But who ever said that dressage has to stay in the four walls of an arena? Why not take dressage to the trail and transform a ride to a dance?

Introducing the Gaited Trail Horse to Dressage

My friend’s naturally gaited horse fox trotting horse, Lady has been living at our place the last two summers. She doesn’t get out to ride much so she has encouraged me to ride Lady as much as I have time for.

Lady was purchased by my friend as an 8-year-old unregistered Walking horse. Registration didn’t matter to my friend since she just wanted a beautiful black trail horse. And Lady is all that—beautiful, black, and an exceptional trail horse.

When Lady first arrived she had two distinct gears, a dog walk and a hard trot. Over time Lady has developed a naturally smooth fox walk and fox trot. She’s more diagonal versus lateral on the gait spectrum.

Lady is used to being ridden bareback on the trail with a long, loose rein, so the concept of being ridden on a light contact and in balance have been new to her.

Here’s how balance and connection all started…

Resources for Naturally Gaited Horses to Improve Relaxation and Connection

A month ago, I began applying classical French dressage methods of training as taught by Philippe Karl from his DVD series Classical Dressage and Classical versus Classique, as well as principles taught from the late Jean Claude Racinet in his book: Another Horsemanship and his student Lisa Maxwell from her DVD: Getting Started in Lightness.

These instructors have taught me the importance of teaching the naturally gaited horses I ride to be soft in the mouth, jaw and poll to create relaxation in the mind which is critical before moving on to body exercises.

A relaxed mind is a teachable mind while a tense jaw and anxious mind bring about a resistant body that will not produce quality movement. Teaching the horse softness in the mouth, jaw and poll is best introduced in hand on the ground using a mild snaffle bit. These videos all provide excellent teaching in this and I highly recommend owning them for your personal library.

Relaxing the Naturally Gaited Horse for Trainability

Once the naturally gaited horse is soft and relaxed (in the mind and body); relaxed in the jaw and mouth, and licking, salivating, and chewing, then I proceed to teaching the horse exercises that bring the horse into balance. This is where the horse begins to engage the hind quarters by bending the joints, stepping under its body, engaging the abdominal muscles to lift the back, and lifting its whither to lighten the forehand for a few steps. This also can be introduced to the horse in hand which the videos encourage.

Separating the Stop and Go Aids

The French dressage philosophy differs from the German dressage philosophy I had been trained in for 12 years. While the German philosophy taught me to use my legs and seat to drive my horse into a rein contact, the French method separates the brake pedal (reins) from the gas pedal (seat and legs). Separating my seat and leg aids from my rein aids has been one habit that I have been working hard to break, and it is worth the results that I am seeing in the horses I ride. Lightness, harmony, and more willingness to go forward with less cueing on my part are among these benefits.

Timing of Aids

In addition to the separation of aids, is the crucial timing of my aids. My rein aids cue my horse’s front and my leg aids cue my horse’s hind legs. It is critically important for me to correctly discern the feeling of when my horse’s leg is in a cue-able position so that I get the desired result.

For example, if I am asking my horse to leg yield along the fence going to the right, my left calf needs to touch my horse at the girth as my horse begins to step its left hind foot forward. As I release my calf, I squeeze and release my outside (right) indirect rein to tell my horse to remain straight and not lead with the right shoulder. If my horse begins to get tense in the jaw, I squeeze the left rein with my middle, ring, and pinky fingers, and release by opening these three fingers as soon as the horse gives. At all times, I maintain a very light contact with the horse’s mouth on both reins with my thumb and index fingers.

Also, here’s an excellent blog post “The Wonder Whip” written by Manuel Trigo which was forwarded to me from a fellow gaited dressage friend. This blog post talks in detail about the timing of aids, and I find it very insightful.

Below is a video showing Lady being introduced to light contact as we leg yield along the fence. I am riding her in a Level 1 Mylar snaffle bit with white reins so that it is easier to see the amount of contact. The first leg yield is nothing short of a “hot mess,” and I explain what we worked through to “clean up” the second pass.

For Lady, establishing a soft contact and a relaxed mind before moving on to body exercises for balance have been the winning combination. Together they have brought out a beautiful transformation in Lady’s fox trot that is simply a joy to ride. The video below begins and ends just after the leg yield exercise which shows the most balanced, supple, and elegant fox trot Lady has achieved thus far.

Video: Introducing the Gaited Trail Horse to Dressage

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Video: Cues to a Softer Halt

Cues to a softer halt

Here’s a sequence of cues that produce a soft, round, and relaxed halt without the use of force or pulling back on the reins.

Cues to a Softer Halt

Back in the days before owning horses, I looked forward to the hour-long trail rides each summer. Before our group mounted up, the trail guide would give us these handy instructions: “kick” to go and “pull” on the reins to stop.

Now that I’ve been a horse owner for a few decades, I’ve learned better approaches than “kick” to go and “pull” to stop which produce softer and rounder responses. The cues are a blend of tips I have learned from classical French dressage and natural horsemanship philosophies.

Halt and salute
Each test begins and ends with a halt and salute where the horse stands square and immobile for three seconds.

I ride my naturally gaited and barefoot Tennessee walking horse in a mild snaffle bit and have been competing at schooling dressage shows since 2010. We consistently earn scores of “8” on our center line halt and salute.

Below is a sequence of cues that produce a soft, round, and relaxed halt without the use of force or pulling back on the reins.

How to produce a soft, round and relaxed halt

  1. Well fitting equipment: Beginning with a practical note, an uncomfortable horse is unable to perform a soft, round, and relaxed halt. So, it is important to ride your horse in a well-fitting saddle, bridle and bit. Also have your horse’s teeth checked and floated regularly by an equine dentist or qualified veterinarian.
  2. Following seat: The next thing I do is develop a following seat (versus a driving seat). I encourage my horse forward with my seat, followed up with the use of my voice, a bump and release of my lower calf, and a tap of the dressage whip if needed. Then I follow the motion of my horse’s walk (in a toned sort of way) as if my hip joints walk with my horse’s hind legs. I do not drive my horse forward with my seat (by thrusting my pelvis forward and backward) as I believe this annoys my horse and eventually causes her to tune me out.
  3. Stilling seat: When I am about to come to a halt, I gently squeeze and release the reins with my middle, ring and pinky fingers to soften and round my horse. At the same time, I still my seat and no longer follow the motion of my horse. If the horse is listening to my seat, the horse will stop.
  4. Alternating squeeze and release of the rein: Plan B: If my horse doesn’t halt with the stilling of my seat, then I follow it up with an alternating squeeze and release of each rein in sequence with each hind step. As if to say, “Stop your foot. Now stop your other foot.” I will keep alternating the squeeze and release of each rein with each step combined with a stilled seat until the horse slows to a stop.

    I have found that this approach produces a softer, rounder, more relaxed and square halt than when squeezing both reins at the same time, and definitely better than pulling back on the reins.

  5. Repeat the exercise: If the horse didn’t stop by my seat, I will return to a forward walk and repeat the exercise a few times before moving on to something else. Then I’ll come back to the exercise a couple more times during our riding session.

  6. Practice: I practice this exercise each time I ride. Every horse I ride becomes more and more responsive to my seat, softer, rounder, and more relaxed with the halting, less dependent upon the reins for stopping, less depended upon the voice, legs, and whip to move forward and more responsive to the seat.

Video: Cues to a Softer Halt

A square halt from the medium walk is required in NWHA Intro tests, a square halt from the flat walk is required in NWHA Training Level tests, and a square halt from a canter is required in NWHA Fourth Level.

Video: Soft Halts from the Medium Walk, Flat Walk and Canter

More Exercises for the Gaited Horse to improve smooth gaits.


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Collected Walk-Canter-Walk Transitions for the Gaited Horse

dressage-as-applied-to-the-gaited-horse-walk-canter-walk-transitions-by-jennifer-klitzke

Here’s a dressage exercise that can improve a gaited horse canter while improving a rider’s balanced position and timing of rein, leg and seat aids.

How to improve a gaited horse canter using dressage

By Jennifer Klitzke

In the short time Jennie Jackson was in Minnesota this year I learned so much. Here’s an effective exercise she taught me and my naturally gaited Tennessee walking horse: collected walk-canter-walk transition on a 15-meter circle to improve our gaited horse canter.

This exercise helps the rider organize their rein, leg and seat aids; develop effective use and timing of the aids; maintain a balanced riding position through the transitions; direct the horse into a relaxed, forward balance canter transition; and develop quality canter steps.

Here’s how…

Establish a collected walk on a 15-meter circle:

  • Establish a forward moving collected walk in a shoulder-fore position by applying inside lower leg calf through the ankle at the girth. This helps to bend my mare’s body and step her inside hind leg under her belly toward her outside front leg.
  • My outside indirect rein is held slightly against the neck with more contact than my inside softening rein. The outside rein keeps the outside shoulder from falling out and keeps the neck rather straight.
  • The inside rein massages as needed to soften my mare’s jaw so that she flexes at the atlas (poll) slightly into the circle enough where I see the corner of her eye.
  • It is important that her ears remain level without tilting her head to the side.
  • The energy from her hindquarters travels through her body and into the connection with my hands which feels like her shoulders lift, and she becomes lighter in front while I feel her back puff up under my seat as she engages her abdominal muscles.

Develop collected walk to canter transitions

  • The timing of this transition is important. The outside hind leg is the first step in the canter sequence. When I feel my mare beginning to step her outside hind leg forward, that’s when I need to apply my outside lower leg behind the girth.
  • Maintain the inside lower leg at the girth and the rein connection so that my mare holds the bend through the canter transition.
  • Focus on a still riding position during the upward transition without tipping my upper body forward. This allows my horse to step into a balanced canter.

Teach the gaited horse canter transitions to quality canter steps

  • Bring the horse back to a collected walk before the canter quality falls apart. Over time, the horse will build more and more consecutive quality canter steps.
  • During the downward transition from canter to walk, grow taller in the saddle while applying a slight half halt with the seat, a brief closing of the fingers on the outside rein, and a release as the horse moves into a forward moving collected walk.

Watch: Walk-Canter-Walk Transitions on a 15-meter Circle

Thank you, Jennie Jackson, for coming to Minnesota. I have finally connected with a coach who not only has the applied knowledge and proven experience through the highest levels of dressage with Tennessee walking horses, but someone who communicates gaited horse concepts in ways I understand. My naturally gaited Tennessee walking horse has never moved better!

For more about Jennie Jackson and dressage en gaite, visit Jennie Jackson: Dressage en Gaite.


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Rein Back To Smooth Gait

How to perform a quality rein back for smooth gait:

Develop awareness of feel while riding—the feeling of hollow, the feeling of round, and the impact each have on smooth gait. Here’s an exercise that can help..

Rein Back to Smooth Gait

By Jennifer Klitzke

My naturally gaited Tennessee walking horse Makana has a rather long back for her size, and she has been rather stiff. That’s one of the biggest reasons why I registered for another gaited horse clinic with Larry Whitesell and Jennifer Bauer.

At last year’s gaited horse clinic, Larry and Jennifer showed me ways to unlock tension and set us on a course to balance and relaxation.

The importance of saddle fit

At this clinic, Larry and Jennifer helped me address my horse’s back bracing issues. We began with saddle fit.

Since 2007, I have tried nine different saddles to find one that fits Makana. I’ve ridden in round skirted western saddles, dressage saddles, gaited saddles, and treeless saddles. Most saddles have been too narrow which pinched her shoulders and restricted her movement. The saddle I have been riding in is an all-purpose saddle which seemed to fit.

At closer examination, the saddle fit my horse in the cross ties. It had plenty of clearance over her wither—until I sat in the saddle. Then the saddle sank and rested on her wither. This is likely a big reason Makana was bracing her back.

Larry switched to his saddle with a gaited tree. It fit perfectly (in and out of the cross ties), and we proceeded with the lesson.

The feeling of hollow, the feeling of round and its impact on movement

Larry and Jennifer helped open my riding awareness to the “feel” of my horse’s back. They challenged me to notice when my horse feels hollow and when it feels round and then pay attention to how each impact her movement.

When my horse hollows her back, she loses forwardness, impulsion, and the depth of stride. Cueing her forward while hollow only makes her take short, quick steps. She feels smooth, but she is not producing the smooth quality four-beat flat walk she is capable of.

Larry explained how I needed to improve the bio-mechanics of my horse’s way of going. Instead of driving her forward while hollow, I needed to help Makana engage her abdominal muscles to lift and round her back before encouraging her forward with relaxed deeper steps.

Rein Back and Forth to Smooth Gaits

Larry taught me a great exercise that helped my horse engage her abdominal muscles to lift her back.

Rein Back to Forward Steps

  • Beginning at a soft and round halt, I gently cue my horse three to five steps of slow and steady rein back
  • Then halt and gently cue my horse three to five steps forward and halt
  • Repeat the back and forth sequence three times
  • The exercise is not rushed or forced
  • It is important that the horse remains relaxed and round from nose to tail
  • Once the horse feels lifted in the back during the last sequence of back and forth, then continue to move forward and maintain the feeling of relaxation and engaged abdominal muscles to lift the back
  • When introducing this exercise, I only asked for a step or two of rein back

How to perform a quality rein back for smooth gait:

  1. For the rein back, I close my fingers on the reins without pulling back. This tells the horse don’t go forward. Then I draw my heels slightly behind the girth, hold my weight in my thighs and move my pelvis upward to lighten my seat. If my horse feels hollow, then I hug my horse with my heels to encourage her to engage her abdominal muscles and lift her back.
  2. The forward cues are opening my fingers without giving away the reins, move my pelvis forward and squeezing and release my calves if needed to move forward.
  3. Repeat the back and forth three times until I feel my horse’s back lift the saddle beneath me. Then I proceed forward ending the exercise and maintain the roundness in her back, the connection back to front, and engagement for deeper steps.

So each time I feel my horse’s back begin to sag, I repeat the “Rein Back and Forth to Better Movement” exercise and then resume where we left off before the exercise. This exercise has made a big difference in my horse’s movement and willingness to go forward.

Makana is happy that I am now on saddle number ten that is wide enough for her shoulders and tall enough to clear her withers.

Does anyone want to buy a saddle?

Video: Back and Forth to Better Movements

More Exercises for the Gaited Horse to improve smooth gaits.


I hope this is helpful. Let me know your thoughts by sending a message.

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