Tag Archives: Jennie Jackson

Gaited Dressage: The Feeling of Right

Gaited dressage: The feeling of right

The Feeling of Right

By Jennifer Klitzke

Effective dressage training comes through developing “the feeling of right” as it relates to the naturally gaited horse’s balance, relaxation, rhythm, connection, engagement, straightness, and collection.

This means discerning when the naturally gaited horse begins to move off course in order to restore the horse’s balance, relaxation, rhythm, connection, engagement, and straightness. It takes time to develop what balance feels like in each naturally smooth gait and feel the difference between a quality and impure gait from the saddle, to feel when the horse begins to rush or lag, go hollow, duck behind the bit, drop its back, fall on the forehand, get tense in the jaw, lack bend or rhythm, and the list goes on.

I began my dressage journey in 1988 riding hard trotting horses and competed successfully through second level until my aging dressage horse retired in 1996.

Over the next 16 years I moved to a hobby farm in non-dressage country and relied on the knowledge and skills gained through 12 years of regular dressage lessons.

Then in 2007, I purchased my first naturally gaited horse—mainly to save my aging body from the jarring sitting trot. I knew nothing about training gaited horses. All I knew is that I wanted SMOOTH, and out of default dressage became our method of training. I wasn’t even sure if dressage and gaited horses worked together. We would just have to find out.

While there are many similarities between riding trotting and riding naturally gaited horses, I quickly discovered how “the feeling of right” on a trotting horse is not the same as how it feels on a naturally gaited horse. I had leaned the feeling of feel balance, rhythm, impulsion, connection, straightness, and collection in trot, yet trot and flat walk feel entirely different. Adding to that is the head and neck nod!

I became perplexed with questions like: How do I develop “the feeling of right” between one smooth feeling and another smooth feeling? The flat walk, rack, fox trot, stepping pace, and running walk are all SMOOTH? Once I recognize a gait, what does balance, relaxation, rhythm, engagement, connection, straightness, and collection feel like in each smooth gait? How do I ride a head nodding horse while maintaining an even contact with both reins?

I had 20 years experience developing “the feeling of right” on trotting horses and this gaited dressage thing was a whole new feeling of right to discover.

It became clear that I needed dressage lessons with my naturally gaited horse to develop a new sense of “the feeling of right.” Since gaited dressage instruction didn’t exist in my area, I began trailering my horse to gaited dressage clinics that came to my region each year. Receiving instruction from Jennie Jackson, Larry Whitesell, Jennifer Bauer, and Bucky Sparks began to give me a better feel for balance, relaxation, rhythm, engagement, connection, straightness, and collection in order to develop discernment between the smooth gaits, and gait quality.

If you’re fortunate enough to live by a gaited dressage instructor, start taking regular lessons with your naturally gaited horse. If not, join a local dressage club to connect with dressage riders and find an open-minded dressage instructor who will teach you a balanced rider position and effective use and timing of rein, seat, leg and weight aids as you lead your naturally gaited horse into “the feeling of right” as it relates to balance, relaxation, rhythm, engagement, connection, straightness, and collection in the smooth gaits.

Pursuing “the feeling of right” is an ongoing journey and thanks to the quality instruction I’ve received, I’m developing a better sense of it. You can, too!

If you are on this gaited dressage journey, I’d love to hear from you. Please contact me, join the NaturallyGaited Facebook community, and subscribe to the NaturallyGaited YouTube channel.

Age-defying Dressage with a Smooth Gaited Horse

age defying dressage with a gaited horse

When your body can no longer endure the sitting trot, it’s time to discover dressage with a naturally smooth gaited horse!

Age-Defying Dressage with a Smooth Gaited Horse

By Jennifer Klitzke

H-X-F, extended trot along the diagonal. Oh, dread, my German warmblood Seiltanzer has never been smooth to sit, especially at the extended trot, and over the last twenty years both of us have aged. Each stride has become more dislodging, resulting in back pain, sagging breasts seeming to hit me in the face with each step, and sometimes “splash”—the loss of bladder control! What began as a beautiful dance between horse and rider has now become a losing fight with gravity.

SeilTanzer
Jennifer Klitzke riding her dressage gelding SeilTanzer (1998)

In 2007, I joined other aging baby boomers and retired from showing hard-trotting horses, but I didn’t want to give up riding, especially the beautiful dance of dressage.

This quandary introduced me to the bounceless stride of the Tennessee walking horse, and I have learned that I’m not alone. The naturally gaited horse industry has seen a continual climb in popularity. Tennessee walking horses, Missouri foxtrotters, Rocky Mountain spotted horses, Icelandics, gaited mules, Paso Finos, and Peruvian Pasos are among these naturally smooth-gaited horse breeds. Not only that, I was thrilled to learn that dressage actually improves the gaited horse’s quality of movement. The principles of dressage build balance, forwardness, relaxation, suppleness, and engagement and can actually transform a pacey horse into a smooth four-beat gaiting dance partner.

Below are seven ways  that improve the naturally gaited horses’s quality of movement using the dressage I learned while riding trotting horses. These humane training methods transform an ordinary ride into a beautiful dance—even while on the trail!

1. Equipment: Just as it is no fun to dance with ill-fitting shoes, an uncomfortable horse is an unhappy dance partner. Dressage methods are best applied by riding with a well-fitted snaffle bit that encourages salivation and acceptance of the bit, as opposed to bits that are engineered for pain avoidance. Remember to loosely adjust the noseband so your horse is able to open its mouth. A tight noseband causes undue tension that can show itself throughout all dance expressions. Equally important is a properly fitting saddle that does not pinch the shoulders or touch the wither while you’re in the saddle.

2. Stretching: Begin and end each dance session with 5-10 minutes of a forward moving without rushing walk. Follow your horse’s side-to-side belly sway with your hip joints and encourage your horse to maximize each step deep under its body. Allow the horse to stretch forward, down and out. Stretching helps lengthen the naturally gaited horse’s topline muscles and increase a horse’s stride. Be careful that the horse’s poll doesn’t drop below the wither height, or the gaited horse will begin to fall onto the forehand. It is important that the gaited horse remains balanced over all four feet during the stretching.

Neck extension at a flat walk
This is a great example of a neck extension at a flat walk. My horse is engaged, lifting her back, stretching out, forward, and down at chest level with an even snaffle bit contact.

3. Transitions: Choreograph every ride with changes of direction and tempo to keep it interesting for you and your horse. Walk-canter-walk, halt-rein back-walk, and transitions from walk to gait and back every 5-10 steps are great exercises that will improve the communication between you and your equine dance partner. Transitions can improve your horse’s responsiveness and graciously establish you as the dance leader.

4. Bending: Twenty-meter circles, three-loop serpentines, spiraling in and out of a circle are great exercises to encourage a horse to bend through the neck, shoulders, and rib cage, and teach the horse to step deeper under its body with its hind leg steps. Bending exercises improve a horse’s balance, lighten the forehand to carry itself more poised, and help smooth out a rough gait.

Lateral exercises at a collected walk
Lateral exercises at a slow collected walk help the naturally gaited horse develop balance.

5. Lateral exercises: Zig-zag leg yields, turn on the haunches, turn on the forehand, haunches-in, shoulder-in, and half-pass are great dance moves to bring balance, supple and soften your gaited horse and build trust and communication between you and your dance partner.

6. Canter: It is a popular myth that cantering a gaited horse will ruin its naturally smooth four-beat gait. On the contrary, I have found that cantering actually improves my Walking Horse’s flat walk and running walk. Cantering up hills, in 20-meter circles, over ground rails and small jumps will strengthen your horse, lengthen its stride, and break up a pace.

canter
First level tests require 15 meter canter circles, working canter, canter lengthenings, and one loop counter canter serpentines.

7. Become a dressage student: There are a few gaited horse trainers and nationally known clinicians who I have learned from who use dressage methods to improve the movement of naturally gaited horses. Among them are Jennie Jackson, Larry Whitesell and Jennifer Bauer. Audit their clinics, read their books, and watch their training DVDs or find an open-minded traditional dressage instructor to help you and your gaited horse get started with suppling exercises.

Dressage will help your gaited horse improve its smooth, four-beat gaits, and make your horse a more mentally connected dance partner. Dressage with your smooth gaited horse can transform even a ride on the trail into a beautiful dance you can comfortably enjoy well into your senior years.


What are your thoughts? Please reach out and send me a message or stay connected by subscribing to the Naturally Gaited youtube channel and “like” us on facebook.com/naturallygaited.

Gaited Dressage at St George

2014-gaited-dressage-at-st-george-jennifer-klitzke-gift-of-freedom

By Jennifer Klitzke

After the TWH Celebration Show, my naturally gaited Tennessee walking horse and I were back to being the solo gaited horse/rider entry at the St. George Dressage Academy schooling dressage show held Saturday, August 9, 2014. One of the spectators saw us gaiting and asked if I would be trotting my gaited horse during the test. Was I ever glad that I had contacted the show manager ahead of time and received permission to ride the NWHA gaited dressage tests en gait, otherwise that’s what I’d be expected to do—trot!

Our NWHA Training Level Test Three and NWHA First Level Test One were among the 46 dressage tests ridden—Intro level through First level. Our training level test felt like our best yet with a respectable score of 66.8%. I attribute our success to Jennie Jackson who traveled to Minnesota for the second year in a row to teach a “Dressage as Applied to the Gaited Horse” clinic. Jennie really set us on course in establishing rhythm, connection, and forwardness without rushing. My mare is no longer “flat walkin’ in a tight skirt.” Her hind steps are deeper, more even and consistent, combined with a deeper and straighter head nod. Makana’s canter has also improved. While we love to see a true “four-beat” flatwalk, Makana has achieved a solid “three-beat” canter which is rounder and more engaged.

After our first level dressage test Judge Jim Hatch remarked, “Thank you for bringing your gaited horse to the show. This was a first for me!” I thanked him for his willingness to provide feedback for where we are at in our training. Even though my gaited horse doesn’t trot, the elements of dressage still apply: rhythm, balance, forwardness, harmony between horse and rider, acceptance of the bridle, rider’s correct and effective use of aids, rider’s position and seat, and precision of the required movements.

Thank you to St. George Dressage Academy for opening their beautiful tree-lined facility up for this venue as a chorus a song birds kept us company while we rode our tests.

Video: NWHA Training Level Test Three
httpv://youtu.be/-Iv6XNCcQfY

Gaited Dressage at Lakeview Farm

gaited-dressage-featured-at-lakeview-farm

By Jennifer Klitzke

I took my naturally gaited Tennessee walking horse Makana to Lakeview Farms on Saturday, June 21, 2014. The farm hosted an open schooling dressage show featuring traditional dressage, western dressage and gaited dressage. It isn’t surprising that we were the only gaited entry, but, I was surprised to learn that our First Level Test One ride was the highest level test ridden of all competitors that day!

Lakeview is a well chosen name since the facility is located on a lake shore. Only June’s record rains have created a few more than the one lake it is known for. Flooding forced the schooling show to the indoor arena.

After we rode NWHA Training Level Test Three, judge Nancy Porter, a long time USDF R-judge remarked, “That was very interesting. Judging a gaited horse in dressage is a first for me!”

I smiled and thanked her for accommodating us as there are few venues for gaited riders to get expert feedback from an “R” judge on where we are at with our balance, rhythm, harmony, relaxation, suppleness, transition, submission, rider’s position, and use of aids.

Our recent lessons with Jennie Jackson helped us maintain our bending through serpentines and 10 meter half circles at a flat walk, our connection has improved over last year, and my mare’s canter was clearly three beat with more roundness. We received respectable scores of 64.2% in Training Level Test Three and 65% in First Level Test One.

Lakeview plans on one more schooling dressage show this Fall. I hope more gaited folks will give it a try. This is a very low-key, beginner-friendly show with beautiful trails to ride and even a trail obstacle course to play around in after your tests are complete. In fact, I met two women at the show who own Tennessee walking horses and one of the women tacked up after my last ride and we took a lovely trail ride through the beautifully groomed wooded trails.

Thank you to Lakeview Farm for accommodating gaited dressage at their schooling dressage show and to Nancy Porter for judging. It was a privilege to ride for and receive feedback from a USDF “R” Judge.

Video: NWHA Training Level Test Three

Video: NWHA First Level Test One

Video: Backing an L-shape

Collected Walk-Canter-Walk Transitions for the Gaited Horse

dressage-as-applied-to-the-gaited-horse-walk-canter-walk-transitions-by-jennifer-klitzke

Here’s a dressage exercise that can improve a gaited horse canter while improving a rider’s balanced position and timing of rein, leg and seat aids.

How to improve a gaited horse canter using dressage

By Jennifer Klitzke

In the short time Jennie Jackson was in Minnesota this year I learned so much. Here’s an effective exercise she taught me and my naturally gaited Tennessee walking horse: collected walk-canter-walk transition on a 15-meter circle to improve our gaited horse canter.

This exercise helps the rider organize their rein, leg and seat aids; develop effective use and timing of the aids; maintain a balanced riding position through the transitions; direct the horse into a relaxed, forward balance canter transition; and develop quality canter steps.

Here’s how…

Establish a collected walk on a 15-meter circle:

  • Establish a forward moving collected walk in a shoulder-fore position by applying inside lower leg calf through the ankle at the girth. This helps to bend my mare’s body and step her inside hind leg under her belly toward her outside front leg.
  • My outside indirect rein is held slightly against the neck with more contact than my inside softening rein. The outside rein keeps the outside shoulder from falling out and keeps the neck rather straight.
  • The inside rein massages as needed to soften my mare’s jaw so that she flexes at the atlas (poll) slightly into the circle enough where I see the corner of her eye.
  • It is important that her ears remain level without tilting her head to the side.
  • The energy from her hindquarters travels through her body and into the connection with my hands which feels like her shoulders lift, and she becomes lighter in front while I feel her back puff up under my seat as she engages her abdominal muscles.

Develop collected walk to canter transitions

  • The timing of this transition is important. The outside hind leg is the first step in the canter sequence. When I feel my mare beginning to step her outside hind leg forward, that’s when I need to apply my outside lower leg behind the girth.
  • Maintain the inside lower leg at the girth and the rein connection so that my mare holds the bend through the canter transition.
  • Focus on a still riding position during the upward transition without tipping my upper body forward. This allows my horse to step into a balanced canter.

Teach the gaited horse canter transitions to quality canter steps

  • Bring the horse back to a collected walk before the canter quality falls apart. Over time, the horse will build more and more consecutive quality canter steps.
  • During the downward transition from canter to walk, grow taller in the saddle while applying a slight half halt with the seat, a brief closing of the fingers on the outside rein, and a release as the horse moves into a forward moving collected walk.

Watch: Walk-Canter-Walk Transitions on a 15-meter Circle

Thank you, Jennie Jackson, for coming to Minnesota. I have finally connected with a coach who not only has the applied knowledge and proven experience through the highest levels of dressage with Tennessee walking horses, but someone who communicates gaited horse concepts in ways I understand. My naturally gaited Tennessee walking horse has never moved better!

For more about Jennie Jackson and dressage en gaite, visit Jennie Jackson: Dressage en Gaite.


Let me know your thoughts by sending me a message. Stay connected by subscribing to the Naturally Gaited youtube channel and “like” us on facebook.com/naturallygaited.